Waxwings in Balham south London on December 31, 2023. There has been a huge influx of this erruptive species this year. This probably due to severe storms and a shortage of food in their native Scandinavia in the Autumn. (Photo by Jack Hill/The Times)

Artists perform during the opening show directed by German director Volker Hesse, on the opening day of the Gotthard rail tunnel, at the fairground Rynaecht at the northern portal in Erstfeld, Switzerland, Wednesday, June 1, 2016. The construction of the 57 kilometer long tunnel began in 1999, the breakthrough was in 2010. After the official opening on June 1, the commercial operation will start in December 2016. (Photo by Ruben Sprich\Pool Photo via AP Photo)

St Louis Cardinals’ Nolan Arenado, centre, is doused with water by team-mates Masyn Winn and Lars Nootbaar after he took the team to victory against the Milwaukee Brewers of the last pitch of the game at Busch Stadium on August 21, 2024 in St Louis, Missouri. (Photo by Jeff Curry/USA TODAY Sports via Reuters)

A Lebanese man dressed with a Santa Claus outfit rides on a standup paddle in Lebanon's northern coastal city of Batroun on December 22, 2020. (Photo by Ibrahim Chalhoub/AFP Photo)

Final-year student Alina Repkina prepares for a livestream of the Last Bell ceremony for school leavers at secondary school No 11 in Rostov-On-Don, Russia on May 30, 2020. It is the first time in Russia that such ceremonies have been held via video link due to the coronavirus lockdown restrictions. (Photo by Valery Matytsin/TASS)

Paragliders fly towards the landing area of the “Acro Show” above Lake Geneva in Villeneuve, Switzerland on Sunday, August 26, 2018. (Photo by Valentin Flauraud/Keystone via AP Photo)

Performers dressed like Stormtroopers dance during “The Empire Strips Back: A Star Wars Burlesque Parody” in Los Angeles, California, U.S., June 1, 2018. (Photo by Mario Anzuoni/Reuters)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)