Revellers enjoy during New Year celebrations in Manchester, England on January 1, 2019. (Photo by Mercury Press)

A car mechanic repairs a tire hoop at the Nicolini Collection Car Museum in Lima, Peru June 1, 2017. (Photo by Guadalupe Pardo/Reuters)

A villager dries chillies on September 1, 2020 in Bijie, Guizhou Province of China. (Photo by VCG/VCG via Getty Images)

A full moon is seen behind buildings at night in Ashkelon, southern Israel on December 1, 2020. (Photo by Amir Cohen/Reuters)

A man walks at the empty Karon beach on Phuket Island, Thailand on April 1, 2021. Picture taken with a drone. (Photo by Jorge Silva/Reuters)

An elephant enjoys its back being scrubbed by the keeper on March 1, 1950. (Photo by Fox Photos/Getty Images)

A vendor arranges dates on his cart at a market in Rawalpindi on June 1, 2023. (Photo by Farooq Naeem/AFP Photo)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.