Director Rian Johnson takes a photo of cast member Janelle Monae at the premiere for the film Glass Onion: A Knives Out Mystery at the Academy Museum of Motion Pictures in Los Angeles, California, U.S., November 14, 2022. (Photo by Mario Anzuoni/Reuters)

Visitors hold mobile devicecs in front of the golden burial mask of King Tutankhamun during the first day for visitors after the official opening of the Grand Egyptian Museum in Giza, Egypt, Tuesday, November 4, 2025. (Photo by Amr Nabil/AP Photo)

Drastic inequality is by no means new in New York. Jacob A. Riis was called a muckraker after he chose to spotlight the city’s poverty at the turn of the 20th century by photographing it. Here: Sweatshop in Hester Street, 1889-1890. (Photo by Jacob A. Riis/Museum of the City of New York, Gift of Roger William Riis)

A man photographs Anila Quayyum Agha's “Intersections” art work on the first day of ArtPrize at the Grand Rapids Art Museum in Grand Rapids, Mich. on Wednesday, September 24, 2014. (Photo by Emily Rose Bennett/AP Photo/The Grand Rapids Press)

(L-R) Madelaine Petsch, Julia Fox, Kacey Musgraves, Kim Petras and Aquaria attend the Moschino Prefall 2020 Runway Show front row at New York Transit Museum on December 09, 2019 in Brooklyn City. (Photo by Astrid Stawiarz/Getty Images for Moschino)

Kendall Jenner attends “Rei Kawakubo/Comme des Garcons: Art Of The In-Between” Costume Institute Gala – Arrivals at Metropolitan Museum of Art on May 1, 2017 in New York City. (Photo by David Fisher/Rex Features/Shutterstock)

A scorpion crawls out of the mouth of Thailand's Scorpion Queen and Ripley's Ambassador Kanchana Kaetkaew (also spelled Kanjana Ketkaew), at the Ripley's Believe it or Not museum in Pattaya city, Chonburi province, Thailand, 03 June 2017. (Photo by Diego Azubel/EPA)

“Mr Big Dipper”, Nicholas Roemmelt (Denmark). A stargazer observes the constellation of the Big Dipper perfectly aligned with the window of the entrance to a large glacier cave in Engadin, Switzerland. This is a panorama of two pictures, and each is a stack of another two pictures: one for the stars and another one for the foreground, but with no composing or time blending. (Photo by Nicholas Roemmelt/National Maritime Museum/The Guardian)