The pelican, named “Ndagabar”, which means pelican in the local Wolof language, begins visiting the neighborhood in the early hours of the day in Saint-Louis, Senegal on November 02, 2024. The pelican, which 62-year-old retired fisherman Madiop Gueye, has been keeping in front of his house for five years, has become the center of both the neighborhood and the region, attracting the attention of both local and foreign tourists. (Photo by Cem Ozdel/Anadolu via Getty Images)

A participant prepares for the Red Bull Air Race World Championships in Abu Dhabi, United Arab Emirates on February 6, 2017. (Photo by Red Bull Content Pool/SIPA Press/Rex Features/Shutterstock)

Guests arrive for the Arlo Guthrie concert at the Bethel Woods Center for the Arts, the original site of the Woodstock Festival, on the 50th anniversary in Bethel, New York, U.S. August 15, 2019. (Photo by Brendan McDermid/Reuters)

People in historical uniforms prepare for a parade at Red Square commemorating the 75th anniversary of the Red Army’s defence of Moscow during the second world war in Moscow, Russia on November 7, 2016. (Photo by Stanislav Krasilnikov/TASS)

Guatapé is a town and municipality in Antioquia Department, Colombia. Part of the subregion of Eastern Antioquia. Guatapé is located in the outskirts of Medellín, bordering a reservoir created by the Colombian government for a hydro-electric dam, built in the late 1960s. This quaint town is the gathering place for "Las Vegas", or the small farms of the area. It is also a growing area of recreation for citizens of Medellín, and aims to be a tourist destination for foreign travellers.
Guatapé was founded in 1811, by the Spaniard Don Francisco Giraldo y Jimenez. The name "Guatapé", comes from the Quechua language, related to "stones and water". The area was visited by the conquistadors circa 1551.

Carnival revellers pose during the postponed “Rosenmontag” (Rose Monday) parade in Mainz, Germany, May 8, 2016, after the original parade in February was cancelled due to severe weather. (Photo by Ralph Orlowski/Reuters)

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.