Residents of the Santa Marta favela, Botafogo, south zone in Rio de Janeiro, Brazil unite to sanitize the community and fight the advance of the new coronavirus this Saturday, November 28, 2020. (Photo by Ellan Lustosa/ZUMA Wire/Rex Features/Shutterstock)

A man walks in the street at the start of the new curfew to counter the COVID-19 in the center of Lyon, central France, Saturday, January 16, 2021. All of France will be under a stricter curfew starting Saturday at 6 p.m. for at least 15 days to fight the spread of the coronavirus. (Photo by Laurent Cipriani/AP Photo)

English heavyweight Joe Joyce celebrates after defeating Christian Hammer during the WBC Silver Silver and WBO International Heavyweight Title fight between Joe Joyce and Christian Hammer at OVO Arena Wembley on July 02, 2022 in London, England. (Photo by Andrew Couldridge/Action Images via Reuters)

Croatia's Borna Sosa, left, fights for the ball with Brazil's Antony during the World Cup quarterfinal soccer match between Croatia and Brazil, at the Education City Stadium in Al Rayyan, Qatar, Friday, December 9, 2022. (Photo by Frank Augstein/AP Photo)

Australian professional boxer Ebanie Bridges at the weigh-in ahead of their IBF World Bantamweight Title fight against Shannon O'Connell during the weigh in at Aspire, Leeds, United Kingdom on Friday, December 9, 2022. (Photo by Andrew Couldridge/Action Images via Reuters)

Iraqis who have fled fighting between security forces and al-Qaida inspired militants in their hometown of Tal Afar arrive in a car at Germawa camp for displaced Iraqis, in a hot dusty plain in the largely-autonomous Kurdish area of Dahuk, 260 miles (430 kilometers) northwest of Baghdad Tuesday, June 17, 2014. (Photo by AP Photo)

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

Yenny Mamani "Marta la Altena", top, grabs Leonor Cordova "Angela la Simpatica" in a hold during a Bolivian wrestling Cholitas fight in Madrid, Spain, Thursday October 8, 2015. (Photo by Paul White/AP Photo)