A schoolgirl stands next to the Kenya-Uganda railway line during the partial reopening of schools, after the government scrapped plans to cancel the academic year due to the coronavirus disease (COVID-19) pandemic, in Kibera slums of Nairobi, Kenya on October 12, 2020. (Photo by Thomas Mukoya/Reuters)

Canada's Marissa Papaconstantinou makes her way to the finish line after falling in the Women's 200m T44 Final during day ten of the IPC World ParaAthletics Championships 2017 at London Stadium on July 23, 2017 in London, England. (Photo by Peter Cziborra/Reuters)

Belgian Fran Vanhoutte celebrates as she crosses the finish line at the finals of the women's 500m +D speed skating event, at the World Games 2025, in Chenghdu, China, on Thursday 14 August 2025. This year, the World Games take place from 7 to 17 August. (Photo by Rex Features/Shutterstock)

Kenya's Reynold Cheruiyot (centre L) and Britain's athlete Jake Wightman fall after crossing the finish line in the men's 1500m final during the World Athletics Championships in Tokyo on September 17, 2025. (Photo by Jewel Samad/AFP Photo)

Uruguay's Julia Paternain reacts after crossing the finish line to win the bronze medal in the women's marathon at the World Athletics Championships in Tokyo, Sunday, September 14, 2025. (Photo by Matthias Schrader/AP Photo)

Bronze medallist Norway's Line Flem Hoest jumps into the water as she celebrates at the end of the women's ILCA 6 single-handed dinghy medal race during the Paris 2024 Olympic Games sailing competition at the Roucas-Blanc Marina in Marseille on August 7, 2024. (Photo by Lisi Niesner/Reuters)

The combination of two different drawing styles in one picture never ceases to amaze us. The works of Allison Kunath are a vivid example of this technique. The background of her pictures is drawn using watercolors, while the actual image is broken down into rough geometrical shapes. This creates a very striking contrast, thanks to black, bold lines of the image on the forefront drawn over soft, cloudy shades of color. The skill of Allison is clearly seen in the way she manages to draw something as amorphous as a squid without making any curved lines. (Photo by Allison Kunath)

Photographer Joana Choumali’s latest project explores body image and beauty by documenting the men building Abidjan’s clothing models. The “Awoulaba” mannequin is a customised model designed with the African ideal of beauty in mind, curvier than the stick-thin examples usually seen in the west. They first appeared in 2011, and have since become a familiar sight outside the numerous clothing shops dotted throughout Ivory Coast’s capital, Abidjan. Here: An apprentice lines up his work on a roadside. (Photo by Joana Choumali)