Members of the federal police carry a Nazi statue at the Interpol headquarters in Buenos Aires, Argentina, Friday, June 16, 2017. In a hidden room in a house near Argentina's capital, police discovered on June 8th the biggest collection of Nazi artifacts in the country's history. Authorities say they suspect they are originals that belonged to high-ranking Nazis in Germany during World War II. (Photo by Natacha Pisarenko/AP Photo)

In this April 4, 2017 photo, Zoologist Martha Llanes caresses baby chimpanzee Anuma II, left, while Ada hangs on to her leg, at Llanes' apartment in Havana, Cuba. She has forgiven them every transgression. It's hard to stay angry at a baby chimpanzee when it clambers up your leg and into your arms and plants a kiss on your cheek in a plea for forgiveness. (Photo by Ramon Espinosa/AP Photo)

“One in Eight Hundred” by Mario Wezel, from Germany, is the winner of the “People” category. The title refers to the odds given to Martin and Karina at their prenatal screening before their daughter, Emmy, was born. The five-year-old from Denmark has Down's Syndrome. (Photo by Mario Wezel/Sony World Photography Awards)

Photographer David Emitt Adams creates tintypes on discarded cans he collects from the Sonoran Desert. In his artist statement, Adams says that some are more than four decades old, which have earned a deep reddish-brown, rusty coloration. (Photo by David Emitt Adams)

Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)

«Underwater». Laurie Simmons discovered this silicone sеx doll in a shop while on holiday in Japan and was immediately interested in the type of generic beauty their looks could add to her work. She went on to create the Love Doll series, in which she places silicone sеx dolls in positions that explore a woman’s interior life. (Photo by Laurie Simmons/Salon 94/The Guardian)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)