People protest getting evicted from land designated for a Petrobras refinery, at a settlement coined the “First of May Refugee Camp”, referring to the date people moved here and set up tents and shacks to live in during the new coronavirus pandemic in Itaguai, Rio de Janeiro state, Brazil, Thursday, July 1, 2021. (Photo by Silvia Izquierdo/AP Photo)

“The Reversible Destiny Lofts – Mitaka (In Memory of Helen Keller) is a nine-unit multiple dwelling. It was first completed example of procedural architecture put to residential use. These lofts reflexively articulate the residents’ operative tendencies and coordinating skills essential to and determinative of human thought and behavior; which means to say, the lofts manage, by virtue of how they are constructed, to reveal to their residents the ins and outs of what makes a person, in this case the resident. This is the same set of tendencies and skills to which Arakawa and Madeline Gins gave diagrammatic form in their decades-long research project The Mechanism of Meaning”. – Wikipedia

Photo: The exterior of the concept design home “Reversible Destiny Lofts MITAKA: In Memory of Helen Keller” is seen on October 27, 2005 in Tokyo, Japan. (Photo by Koichi Kamoshida/Getty Images)

There is something strangely appealing about the set of pictures created by Sandro Giordano in a series “In Extremis (Bodies With No Regret)”. Could it be the absurdity of the situation? Or the fact that our brain tries to make up some bizarre story to justify what is happening in the pictures? Of course it is impossible to explain why a pair of tennis players ended up lying flat on the ground with a pack of bananas hanging on the net, even if we forget about the tennis racket lodged in the neck of one of the players. Nevertheless, it is fun to recreate these scenes in your mind just seconds before the tragedy took place. (Photo by Sandro Giordano)

Anton Jankovoy is professional travel-photographer, shooting in such genres as travel, landscape and portrait photography. Anton has obtained a bronze award at the “FEP (Federation of European Photographers) Professional Photographer of the Year 2011” and bronze award in the russian speaking countries at “Best Photographer 2011”. Anton Jankovoy: «My only aspiration in a photography is to wake up in everybody the realization of life. That is the only one way to feel this world the way it is and how it was created for us, the way the children see it». (Photo by Anton Jankovoy)

A man stands next to the body of a migrant child washed up on a beach in Canakkale's Bademli district on January 30, 2016 after at least 37 migrants drowned when their boat sank in the Aegean Sea while trying to cross from Turkey to Greece, Turkey's state-run Anatolia news agency reported. The migrants, who included those from Myanmar, Afghanistan and Syria, set sail from the Canakkale province to reach the nearby Greek island of Lesbos, Anatolia said. (Photo by Ozan Kose/AFP Photo)

The fourth annual BigPicture Natural World Photography Competition aims to celebrate the diversity of life on Earth, and encourages people to protect and conserve it. Here: “The Salmon Catchers”. Terrestrial Wildlife. To capture this view of a mother grizzly bear and her cub, photographer Peter Mather set up a camera trap on a log that he knew the bears tended to traverse while fishing for salmon, in the Yukon River watershed in Canada. (Photo by Peter Mather/BigPicture Natural World Photography Competition 2017)