A garbage collector, with his horse and cart, prepares to unload rubbish at the municipal dump in Nezahualcoyotl, on the outskirts of Mexico City, February 18, 2015. Hundreds of horse or donkey-drawn carts will disappear from the streets of a municipality in the state of Mexico, located on the outskirts of Mexico City, and will be replaced by motorized vehicles, local authorities said. (Photo by Henry Romero/Reuters)

A man rides a horse through a bonfire as part of a ritual in honor of Saint Anthony, the patron saint of animals, in San Bartolome de Pinares, about 100 km west of Madrid, Spain on Thursday, January 16, 2014. On the eve of Saint Anthony's Day, hundreds ride their horses through the narrow cobblestone streets of the small village of San Bartolome during the “Luminarias”, a tradition that dates back 500 years and is meant to purify the animals with the smoke of the bonfires and protect them for the year to come. (Photo by Emilio Morenatti/AP Photo)

In this June 16, 2015 photo, an Indian coachman sleeps on his Victoria horse-drawn carriage outside a stable in Mumbai, India. Drivers of Mumbai's iconic horse-drawn carriages can't imagine not plying the roads pulling photo-snapping tourists atop their kitsch-covered chariots. Yet that time is coming, thanks to a court order calling such superfluous “joyrides” a form of animal cruelty and banning them in India's financial capital from June 2016. (Photo by Rafiq Maqbool/AP Photo)

A soldier of the Household Cavalry Mounted Regiment falls off a horse during a practice to participate in the state ceremonial surrounding this year's Platinum Jubilee celebrations at Hyde Park in London, Thursday, March 31, 2022. Around 170 horses and personnel of the Household Cavalry Mounted Regiment left their Hyde Park Barracks to form up and be inspected by the General Officer Commanding the Household Division, Major General Christopher Ghika. (Photo by Frank Augstein/AP Photo)

Rev. Yeon Ah Lee Moon of the Sanctuary Church holds a gold AR-15 during a ceremony to rededicate marriages at the World Peace and Unification Sanctuary in Newfoundland, Pennsylvania, USA, 28 February 2018. The church, a breakaway from the Unification Church, believes guns are a symbol of the “rod of iron” referenced in the Book of Revelations. (Photo by Jim Lo Scalzo/EPA/EFE)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

A general view of dried-up rivers in the Pilbara region of Western Australia December 2, 2013. Western Australia's Pilbara region, which is the size of Spain, has the world's largest known deposits of iron ore and supplies nearly 45 percent of global trade in the mineral. (Photo by David Gray/Reuters)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)