Iranian athlete Maryam Toosi practises on the rooftop of her apartment building following the closure of sports facilities as part of measures aimed at containing the COVID-19 coronavirus, in Iran's capital Tehran on May 19, 2020. The coronavirus pandemic has forced the world's athletes to keep fit in confinement. The novel coronavirus has claimed the lives of nearly 7,200 people in Iran, making it the deadliest outbreak in the Middle East. The government ordered the closure of sports facilities in mid-March as part of measures aimed at containing the virus. (Photo by Atta Kenare/AFP Photo)

Cyclists desperately try to keep their heavily-laden bicycles upright as they arrive at a market with baskets full of pineapples on August 23, 2018. The men travel up to 12 and a half miles with two baskets tied to the sides of their bikes, carrying between 50 and 100 pineapples to sell. Each of the bicycles is so heavily laden with fruit it is impossible for the men to actually ride their bikes, instead having to walk alongside them. When they arrive at the market place in Madhupur, Bangladesh, buyers will pay up to 30 Taka for a pineapple – the equivalent of around 28 pence. (Photo by Abdul Momin/Solent News & Photo Agency UK)

Lilith interacts with spectators in the streets of Toulouse. French street show creator Francois Delaroziere, director of the art company “La Machine”, creates a show in the streets of Toulouse. The new show displays giant characters: Asterion, the Minotaur; Lilith, the scorpion woman; and Ariane, the spider woman. Lilith is fond of the Minotaur and wants to take Asterion to hell with her. Ariane protects Asterion and tries everything to keep Asterion safe. The show is displayed over three days and is attended by dozens of people. During the three days, the giant characters appear in the streets of Toulouse. (Photo by Alain Pitton/NurPhoto)

South African maidens wrap themselves in blankets as they head to a ritual bath in a local river on September 5, 2014 at the eNyokeni Royal Palace in Nongoma in the KwaZulu-Natal region ahead of the 13th anniversary of the Reed Dance (uMkhosi woMhlanga) celebrated by the Zulu King Goodwill Zwelithin. As part of the ceremony, the young women dance bare-breasted for the king, each carrying a long reed, deposited later as they approach the King and is a cultural celebration that promotes respect for young women, and preserves the custom of keeping girls as virgins until marriage. (Photo by Marco Longari/AFP Photo)

In this photograph taken on May 20, 2014 nine year old Indian boy Lakhan Kale is tied with a cloth rope around his ankle, to a bus-stop pole in Mumbai. The nine-year-old boy dressed in blue lay listlessly on the pavement in the scorching Mumbai summer afternoon, his ankle tethered with rope to a bus stop, unheeded by pedestrians strolling past. Lakhan Kale cannot hear or speak and suffers from cerebral palsy and epilepsy, so his grandmother and carer tied him up to keep him safe while she went to work, selling toys and flower garlands on the city's roadsides. (Photo by Punit Paranjpe/AFP Photo)

A camel rests at a fuel station in the Judean desert near the West Bank city of Jericho January 11, 2015. Reuters photographers from Mali to Mexico have shot a series of pictures of fuel stations. Whether it is plastic bottles by the roadside in Malaysia or a futuristic forecourt in Los Angeles, fuel stations help define our world. Oil prices steadied above $48 a barrel on Tuesday, recovering from earlier losses as the dollar weakened against the euro. Oil prices have dropped nearly 60 percent since peaking in June 2014 on ample global supplies from the U.S. shale oil boom and a decision by OPEC to keep its production quotas unchanged. (Photo by Baz Ratner/Reuters)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)