Jorge, an immigrant from Mexico, exits a subway station dressed as the Sesame Street character Elmo in Times Square, New York July 30, 2014. Elmo and Cookie Monster have long delighted young viewers on TV's “Sesame Street”, but the recent antics of New York street performers dressed as the beloved characters have drawn the ire of city officials and now the show's producers. Sesame Workshop, which owns the rights to Big Bird, Ernie and the assorted puppet monsters on the 45-year-old program, said on July 29, 2014 it was drafting plans to stop performers who dress up as the characters from appearing in Times Square, where they pose for photos with tourists and then demand tips. (Photo by Eduardo Munoz/Reuters)

A poster for the IMAX presentation of “The Hunger Games: Catching Fire” (left), and a teaser poster for “The Hunger Games: Mockingjay, Part I”, both created by the Los Angeles-based design firm IGNITION. Both are nominated for the 2014 Key Art Awards in the category of Theatrical Domestic One-Sheet. The Hollywood Reporter's annual competition for the best in film and TV advertising honors some of the most creative imagery used in movie posters. Here is a selection of some of this year's nominees. (Photo by Key Art Awards 2014)

Jenny Odell repurposes online imagery mostly from Google Maps, but also from YouTube, Craigslist, and other sites. In her “Satellite Collections”, for example, she incorporated aerial views of swimming pools, basketball courts, parking lots, and other recognizable structures, seen from space. Her more recent series, “Satellite Landscapes”, includes painstakingly isolated Google Maps imagery of oil refineries, wastewater treatment plants, solar farms, etc. This work is meant as a reminder of our physically determined and vulnerable existence, since we depend on many of these things for survival and maintenance of our way of life. Photo: Natural gas plant in Pittsburg, CA (detail of Power Landscape), 2013. (Photo by Jenny Odell)

Students receive a group punishment during a military-style close-order drill class at the Qide Education Center in Beijing February 19, 2014. The Qide Education Center is a military-style boot camp which offers treatment for internet addiction. As growing numbers of young people in China immerse themselves in the cyber world, spending hours playing games online, worried parents are increasingly turning to boot camps to crush addiction. Military-style boot camps, designed to wean young people off their addiction to the internet, number as many as 250 in China alone. (Photo by Kim Kyung-Hoon/Reuters)

A couple of roving film fangirls have recreated some of their favorite TV and movie moments by traveling to the exact locations and capturing them using their iPad. Tiia Öhman and Satu Walden have travelled thousands of miles across North America and Ireland to recapture the magic of their best loved scenes. However, instead of featuring their movie heroes, the pair, from Cardiff, have replaced them with an iPad or a phone screen displaying the action. Here: a scene from the film Die Hard With A Vengeance, and its location in real life 72nd Street Subway, New York. (Photo by Tiia Öhman/Caters News)

Dubai is now home to what has been billed as the world’s largest indoor dog park, complete with customised luxury suites, 24/7 webcams, flat screen TVs and orthopedic mattresses. Launched during Easter at Dubai Investment Park, My Second Home already has many takers with 40 of its 200 residential luxury rooms booked for summer. Here: a dog sits on its bed at My Second Home, a newly opened luxury pet resort and spa, in Dubai, April 24, 2015. (Photo by Ahmed Jadallah/Reuters)

Projectionist Antonio Feliciano, 75, checks his projector before showing a film in Monforte, Portugal May 16, 2015. Shades of Oscar-winning classic "Cinema Paradiso" run through the life of Feliciano, a sprightly 75-year-old who fears he may be the last of Portugal's travelling film projectionists.After six decades travelling four million km (2.5 million miles) to screen 4,000 films in Portugal's far-flung villages, Feliciano does not plan to retire just yet. But he is resigned to the fact that the Internet, digital TV and distribution monopolies have made his craft obsolete. (Photo by Rafael Marchante/Reuters)