Barrier tape is tied around 15-month-old Shivani's ankle to prevent her from running away, while her mother Sarta Kalara works at a construction site nearby, in Ahmedabad, India, April 19, 2016. Kalara says she has no option but to tether her daughter Shivani to a stone despite her crying, while she and her husband work for 250 rupees ($3.8) each a shift digging holes for electricity cables in the city of Ahmedabad. There are about 40 million construction workers in India, at least one in five of them women, and the majority poor migrants who shift from site to site, building infrastructure for India's booming cities. Across the country it is not uncommon to see young children rolling in the sand and mud as their parents carry bricks or dig for new roads or luxury houses. (Photo by Amit Dave/Reuters)

Somali couple Mohamed Noor (L) and Huda Omar pose for a photograph at their makeshift home during their wedding ceremony in Mogadishu's Rajo camp, Somalia August 17, 2016. Having met two years ago, the pair have just married at Rajo camp, where some 400 families live. Most, like Noor's parents, came here in the early 1990s to flee famine. (Photo by Feisal Omar/Reuters)

According to the U.S. government, Moldova, one of the poorest countries in Europe, depends on about $1.6 billion annually sent back from the roughly one million Moldovans who left for work in in Europe, Russia, and other former Soviet Bloc countries. Photographer Myriam Meloni went to Moldova to document what she refers to as “social orphans” – children whose parents have emigrated to another country in search of a job and a better future for their families. Here: Lulia is seen washing dishes in her grandmother's house, where she lives. (Photo by Myriam Meloni)

An installation entitled “Take my lightning but don't steal my thunder” by British artist Alex Chinneck stands in Covent Garden on October 2, 2014 in London, England. The installation is intended to cast the illusion that a 40-foot section of the Covent Garden's 184-year old market building is floating. “Take my lightning but don't steal my thunder” will be on display from 2nd to 24th October 2014. (Photo by Rob Stothard/Getty Images)

A miner sits front of the statue of St. Barbara, saint of the miners, during last working day at Hungary's last hard coal deep-cast mine at Markushegy December 23, 2014.The underground mine, west of the capital city Budapest, has to stop producing coal at the end of this year in line with a European Union effort to shut down uncompetitive hard coal mines. (Photo by Laszlo Balogh/Reuters)

Artist Jason deCaires Taylor’s Museo Atlantico, off Lanzarote, is peopled with concrete casts of refugees and people taking selfies. Drowned world: welcome to Europe’s first undersea sculpture museum. Here: The Raft of Lampedusa, Taylor’s modern-day concrete echo of Géricault’s The Raft of the Medusa. The work has particular significance given the huge movement of refugees across the sea to Europe – and the frequent fatalities that result. (Photo by Jason deCaires Taylor)

In this Friday, January 7, 2011 photo, people carry baskets of coal scavenged illegally at an open-cast mine in the village of Bokapahari in the eastern Indian state of Jharkhand where a community of coal scavengers live and work. The world's biggest coal users – China, the United States and India – have boosted coal mining in 2017, in an abrupt departure from last year's record global decline for the heavily polluting fuel and a setback to efforts to rein in climate change emissions. (Photo by Kevin Frayer/AP Photo)