An Indian Hindu widow smeared with colors sits and watches others playing during Holi celebrations at the Gopinath temple, 180 kilometres (112 miles) south-east of New Delhi, India Monday, March 21, 2016. A few years ago this joyful celebration was forbidden for Hindu widows. Like hundreds of thousands of observant Hindu women they would have been expected to live out their days in quiet worship, dressed only in white, their very presence being considered inauspicious for all religious festivities. (Photo by Manish Swarup/AP Photo)

Two De Brazza's monkeys stand together at Port Lympne Wild Animal Park on June 21, 2011 in Hythe, England. Port Lympne has welcomed a host of new arrivals this year with wildebeest, colobus monkeys, gorillas and rhinos all adding to the current stock. Port Lympne and Howletts Wild Animal parks were set up by the late John Aspinall to protect and breed rare and endangered species and, where possible, return them to safe areas in the wild. The Aspinall Foundation which runs the parks also manages two gorilla rescue and rehabilitation projects in the central African countries of Gabon and Congo where they have successfully reintroduced over 50 gorillas to the wild. (Photo by Dan Kitwood/Getty Images)

“The Zulu are the largest South African ethnic group, with an estimated 10–11 million people living mainly in the province of KwaZulu-Natal. Small numbers also live in Zimbabwe, Zambia, and Mozambique. Their language, Zulu, is a Bantu language; more specifically, part of the Nguni subgroup. The Zulu Kingdom played a major role in South African history during the 19th and 20th centuries. Under apartheid, Zulu people were classed as third-class citizens and suffered from state-sanctioned discrimination. They remain today the most numerous ethnic group in South Africa, and now have equal rights along with all other citizens”. – Wikipedia.

Photo: A Zulu woman playing the piano while a group of others sit and listen (to put it briefly, Englishmen scoff over Zulu). South Africa, circa 1925. (Photo by General Photographic Agency)

“Noh, or Nogaku – derived from the Japanese word for “skill” or “talent” – is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh “performance day” lasts all day and consists of five Noh plays interspersed with shorter, humorous kyōgen pieces. However, present-day Noh performances often consist of two Noh plays with one Kyōgen play in between”. – Wikipedia

Photo: A renowned Noh actor, Otoshige Sakai, demostrates how to put on a Noh mask, on May 17, 2004 in Tokyo, Japan. (Photo by Koichi Kamoshida/Getty Images)

At this year’s Venice Bienniale in Italy, the Korean pavilion has a curious exhibit called “Commissions for Utopia”. It includes renderings from North Korea’s top architects and artists (all anonymous), many of whom studied at the Paekho Institute of Architecture, North Korea’s state-run architectural college, and none of whom have ever left the country. They were asked to create a vision of North Korea’s future sustainable architecture for its expanding tourism industry. Their final products are a glimpse into what it would be like to envision the future after being entirely cut off from the present for almost 70 years. (Photo by Nick Bonner/Kyle Vanhemert/Venice Architecture Biennale)

A Ka'apor Indian warrior (L) chases a logger who tried to escape after they captured him during a jungle expedition to search for and expel loggers from the Alto Turiacu Indian territory, near the Centro do Guilherme municipality in the northeast of Maranhao state in the Amazon basin, August 7, 2014. Tired of what they say is a lack of sufficient government assistance in keeping loggers off their land, the Ka'apor Indians, who along with four other tribes are the legal inhabitants and caretakers of the territory, have sent their warriors out to expel all loggers they find and set up monitoring camps in the areas that are being illegally exploited. (Photo by Lunae Parracho/Reuters)

This breathtaking natural light show illuminating waters off the British coast looks like something out of hit film “Close Encounters of the Third Kind”. Photographer Adrian Campfield was out having dinner at a restaurant at Beachy Head, East Sussex, when the rays suddenly appeared. The 59-year-old and his wife Louise rushed outside onto the 535ft high cliffs to watch the spectacle. Mr Campfield, a former graphic designer, from Bexley, Kent, said the light was “changing all the time” for more than 15 minutes. (Photo by Adrian Campfield/Solent/Visual Press Agency)

We place too much value into something as elusive as time. This is the lesson that Arina Pozdnyak, the creator of Perpetual Calendar, is trying to teach us. Days fly by, and even months are mere speckles of sand in an hourglass of eternity. People do not realize that the time given to us by fate cannot be measured using months or even years. It is measured using emotions and impressions. If a person lives to be 150 years old without experiencing any emotions, he might as well have lived one day, for all it’s worth. On the other hand, a person who lived an exciting, fulfilling life, read countless books and cherished every moment that he had, is actually the one who lived a longer life, even if in reality his flame was snuffed out much too soon. (Photo by Arina Pozdnyak)