A reveller is tossed into the air as they celebrate the Holi spring festival in Kathmandu on March 12, 2017. The “Holi” festival of colours is a riotous celebration of the coming of spring and falls on the day after the full moon in early March every year. (Photo by Prakash Mathema/AFP Photo)

Men pull with a rope the body of an Islamic State fighter before burying him near Karamah, south of Mosul, Iraq November 11, 2016. (Photo by Goran Tomasevic/Reuters)

People play on a beach along the Arabian Sea on a hot summer day in Mumbai, India, April 29, 2016. (Photo by Danish Siddiqui/Reuters)

Flowers are placed on a “comfort woman” statue during the weekly Wednesday protest in front of Japanese embassy demanding for an apology and compensation from Japanese government in Seoul, South Korea, July 22, 2015. “Comfort women” is the Japanese euphemism for women who were forced into prostitution and sexually abused at Japanese military brothels before and during World War Two. (Photo by Kim Kyung-Hoon/Reuters)

Iraqi Kurdish female fighter Haseba Nauzad looks through a pair of binoculars during a deployment near the frontline of the fight against Islamic State militants in Nawaran near Mosul, Iraq, April 20, 2016. (Photo by Ahmed Jadallah/Reuters)

An elephant “kisses” a visitor during a show at an elephant training school in Xishuangbanna, Yunnan province, April 18, 2015. Some 16 elephants live at the school and give four 30-minute performances everyday for visitors. (Photo by Wong Campion/Reuters)

A Guarani Indian woman jokes with her son in the village of Pyau at Jaragua district, in Sao Paulo April 27, 2015. The National Indian Foundation (FUNAI) has recognised 521 hectares of this area as indigenous territory, making it the smallest indigenous reserve in Brazil. Members of the Guarani community have now established a new village outside the demarcation and are being threatened with an eviction through a court order. (Photo by Nacho Doce/Reuters)

Nyaueth by Peter Zelewski – £2,000 third prize winner. This was taken near London’s Oxford Street as part of Zelewski’s series Beautiful Strangers. Zelewski explains: ‘The aim of Beautiful Strangers is to challenge the concept of traditional beauty with a series of spontaneous street portraits of everyday citizens who show character, uniqueness and a special inner quality’. (Photo by Peter Zelewski/Taylor Wessing Portrait Prize 2015)