Racegoers make their way home after Ladies Day on the second day of the Grand National meeting at Aintree Racecourse on April 9, 2010 in Aintree, England. Friday is traditionally Ladies day at the three-day meeting of the world famous Grand National, where fashion is as important as the racing. (Photo by Christopher Furlong/Getty Images)

Jirka Väätäinen is a Finnish artist from Melbourne and he recently reimagined some of Disney's most famous princess. He took these iconic characters and made them look like real people.

Presentation of The work of Italian artists Antonio Garullo and Mario Ottocento, called “The Italian Dream” showing a wax figurine of Italy's former prime minister Silvio Berlusconi as being dead or asleep inside a glass shrine, is exhibited on May 29, 2012 at the Ferrajoli Palace in the center of Rome, Italy. In this controversial work Berlusconi is smiling, wearing funny slippers and the trousers open. (Photo by Alessandro Bianchi/Reuters)

A woman holds a hedgehog at the Harry hedgehog cafe in Tokyo, Japan, April 5, 2016. In a new animal-themed cafe, 20 to 30 hedgehogs of different breeds scrabble and snooze in glass tanks in Tokyo's Roppongi entertainment district. Customers have been queuing to play with the prickly mammals, which have long been sold in Japan as pets. The cafe's name Harry alludes to the Japanese word for hedgehog, harinezumi. (Photo by Thomas Peter/Reuters)

A reporter takes pictures of a soldier during the annual Han Kuang military exercise in Kinmen, Taiwan, September 7, 2015. Rustic Kinmen, with a population of less than 129,000, is a half-hour ferry ride to China, but it takes an hour to fly to major Taiwan cities. Just off its shores, glass-walled high-rises wink seductively from the booming mainland port of Xiamen in one of China's most prosperous provinces. (Photo by Pichi Chuang/Reuters)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.