Players battle for the ball during their match at the swamp soccer China tournament in Beijing, June 26, 2014. The 32 teams from across the country participated in the soccer event to celebrate the 2014 World Cup in Brazil. (Photo by Kim Kyung-Hoon/Reuters)

Armed Yemeni children sit in the back of a pick up truck with fighters loyal to Yemen's Saudi-backed President Abedrabbo Mansour Hadi in the Dar saad neighbourhood of the southern Yemeni city of Aden on May 10, 2015, as they continue to battle Shiite Huthi rebels. (Photo by Saleh Al-Obeidi/AFP Photo)

Raising a flag over the Reichstag is a historic World War II photograph taken during the Battle of Berlin on 2 May 1945, by Yevgeny Khaldei.

Fighters battle in Manhattan's Union Square during a massive pillow fight on April 2, 2011 in New York City. Over 130 cities worldwide are participating in the fourth annual International Pillow Fight Day. (Photo by Mario Tama/Getty Images)

Waxahachie firefighters battle a massive fire at the Magnablend chemical processing plant on October 3, 2011 in Waxahachie, Texas. The burning chemical plant is not far from several residential areas and Wedgeworth Elementary School. (Photo by Tom Pennington/Getty Images)

“Most recently, the bushy beard’s masculinity has been turned off and instead adorned with flower power. A wacky new trend sees hipsters weave foliage into their facial hair. It’s emerging across boho America. Yes, men in Brooklyn, Portland and San Francisco are adorning their faces with blossoms, seemingly for the sole purpose of artistic portraits that have been taking over the social media with the hashtag #flowerbeards. It started gaining popularity on the social platform of Tumblr, when a blogger began “Will It Beard” project, and has since blossomed elsewhere around the Internet”. – Linda Sharkey via The Independent. (Photo by designsquish/Tumblr)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.