A praying mantis, a huddle of butterflies, Galician horses and an alpine sunset are the winners of this year’s European Environment Agency’s “Rediscover Nature” photo competition. Here: Nature on My Doorstep, finalist. I Want That Pomerade Grain by Biagio Alberto Scalia, taken in national park of Circeo, Latina, Italy. (Photo by Biagio Alberto Scalia/REDISCOVER Nature/EEA)

“Hello! My name is Kindra, and photography, over the last six months has become a happily all-consuming activity for me. Through my photos and creation of them, I escape into another world entirely, and then share that world with others. It brings me unending amounts of joy, and I never plan to stop!”. – Kindra Nikole

Photo: “Where the Summer Grass Leads”. (Photo by Kindra Nikole)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)

The hare was actually yawning and stretching but, looking back at the photos, it does look like it was laughing — probably at my husband and I as we had been sat there in the freezing conditions for about five hours just waiting for this kind of behaviour in Cairngorms, Scotland in the last decade of February 2025. (Photo by Michelle Coyle/Solent News & Photo Agency)

Farmer Ash Whitney stands in the middle of a dried-up dam in a drought-effected paddock on his property located west of the town of Gunnedah in New South Wales, Australia, June 3, 2018. “I have been here all my life, and this drought is feeling like it will be around a while”, said Whitney. (Photo by David Gray/Reuters)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)