In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)

Shortlisted images in the running to be crowned Photobox Instagram photograph of the year range from furry friends to the Holi festival to the meaning of love. Judges, including the Guardian’s former picture editor Eamonn McCabe, have whittled down 180,000 submissions to unearth a shortlist that celebrates the best of social media. Winners will be announced October 3, 2018. Here: Najac, France. Travel shortlist. (Photo by Aaron Jenkin/@aaronjenkin)

The long and intriguing story of the origine of the indigenous Maori people can be traced back to the 13th century, the mythical homeland Hawaiki, Eastern Polynesia. Due to centuries of isolation, the Maori established a distinct society with characteristic art, a separate language and unique mythology. Defining aspects of Maori traditional culture include art, dance, legends, tattoos and community. While the arrival of European colonists in the 18th centure had a profound impact on the Maori way of life, many aspects of traditional society have survived into the 21th century.

A man dressed as a devil poses next to a grafitti of late rebel hero Ernesto "Che" Guevara in the indigenous community of Monimbo in Masaya, Nicaragua, October 16, 2015. People prepare to participate in the popular annual festival called "The Aguizotes" held on the last Friday of October, where residents dress up as characters from legends and folklore mythology of Nicaragua. (Photo by Oswaldo Rivas/Reuters)

Praia du Forte, Bahia. “This was the lead picture for a National Geographic story on Bahia, because it was both mysterious as well as a “geography” picture showing where the slaves arrived from Nigeria. Beach pictures seem like they should be easy to take, but for me they are actually quite difficult. Too easy to fall into cliche. When I saw the kid coming on the horse, I quickly ran to see if I could make something with a woman in a bikini that was not a bikini shot”. (Photo by David Alan Harvey/The Guardian)

Thousands gather to rally for marriage equality ahead of a national postal survey on September 10, 2017 in Sydney, Australia. The High Court handed down its decision on Thursday to allow the government's proposed postal ballot survey to go ahead. Ballots with the question “Should the law be changed to allow same-sеx couples to marry?” will be sent to households across Australia on September 12. (Photo by Jonny Weeks/The Guardian)

David Yeo’s photography places naturally small species alongside animals that have been selectively bred to be tiny and cute. Here: “The most difficult aspect of this shoot was to get each African pygmy dormouse – also known as micro squirrels – on to a separate camera. Once in place, they needed to remain still long enough to get them both in the frame and looking at me. Often solitary, they naturally wanted to move away”. (Photo by David Yeo/Leica Studio Mayfair/The Guardian)

Fabrice Monteiro travelled to the most polluted places in Africa and created terrifying characters who roamed their midst dressed in eerie debris. They are spirits, he says, on a mission to make humans change their ways. Informed by Africa’s environmental problems, Fabrice Monteiro’s photographs aim to highlight urgent ecological issues all over the world. His series “The Prophecy” is on show at Photo Basel 2017 until 18 June. (Photo by Fabrice Monteiro/Photo Basel 2017/Mariane Ibrahim Gallery/The Guardian)