Born in Hanoi, 1979, a member of the Young Painter Association of Vietnam, Trang is an emerging young artist whose mind has been engraved with images of the city and the Northern villages. She brings these vivid memories of the villagers and their life to her paintings. She paints scenes of landscapes in thick textural impasto with bright colours of red, orange, yellow, and blue, making the genre of landscape her own. Her paintings depict her passion to showcase the radiance and freshness of the landscapes in Vietnam. For every stroke of brush reflects her burning desire to bring out a world of complications to simple living and a deep appreciation of nature’s blessing and beauty.

Talented French artist, Pierre Beteille, is skillful in manipulation of portraits (specially his own self portraits) using Photoshop. This is how he describes himself: “I am not a photographer or an artist, I just make images… I shoot very average or even bad photos that I try to improve thanks to Photoshop”…

Photo: “En attendant d'avoir des balles”...., 2007 (Photo by Pierre Beteille)

A young boy rests by empty USAID vegetable oil tins in the Dagahaley refugee camp which makes up part of the giant Dadaab refugee settlement on July 19, 2011 in Dadaab, Kenya. The refugee camp at Dadaab, located close to the Kenyan border with Somalia, was originally designed in the early 1990s to accommodate 90,000 people but the UN estimates over 4 times as many reside there. The ongoing civil war in Somalia and the worst drought to affect the Horn of Africa in six decades has resulted in an estimated 12 million people whose lives are threatened. (Photo by Oli Scarff/Getty Images)

An Afghan child practices walking with his new prosthesis at the International Committee of the Red Cross (ICRC), orthopedic center on September 10, 2011 in Kabul, Afghanistan. After more than 30 years of war and a decade since the 9/11 attacks in the United States, thousands of Afghans, both military and civilian, continue to pay a heavy price from the conflict. The ICRC center makes prosthetics for amputees and helps them, as well as Afghans with spinal injuries and children with congenital birth defects, to learn to walk. (Photo by John Moore/Getty Images)

A woman walk by South Korean police during a anti-terror exercise on March 9, 2012 in Seoul, South Korea. The drill is part of South Korea's preparation for the upcoming 2012 Seoul Nuclear Security Summit, scheduled for March 26 and 27. Some 50 world leaders, including U.S. President Barack Obama, are expected to attend the summit to discuss how to make the world safe without nuclear weapons. (Photo by Chung Sung-Jun/Getty Images)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

Throughout the course of the long war in Afghanistan, Coalition troops have relied on thousands of military working dogs to help keep them safe, and make their jobs easier. The dogs are trained to detect explosives, to find illegal drugs, to search for missing comrades, or target enemy combatants. Not only are they active on the front lines, but behind the lines they serve as therapy dogs, service dogs, and loyal companions. They also share the same risks as the ground troops, suffering injuries and sometimes death on the battlefields. Gathered here are images of these dogs and their handlers in Afghanistan and back home, from over the past several years, part of the ongoing series here on Afghanistan.

These images of abandoned hospitals across Italy are not for the faint-hearted. Both of the hospitals featured in the photographs are Italian asylums – known as manicomios – that were used as mental hospitals. Shut down by law in 1978, the derelict buildings are visibly overgrown and make for very eerie portraits. Photographer Thomas Windisch, 32, of Graz, Austria, said the asylums, located in top-secret spots, can get very creepy when there aren't many people there with him. Here: a hallway within an abandoned hospital. (Photo by Thomas Windisch/Caters News)