A worker roasts a row of pigs on bamboo poles at a roasting pit, in Manila, Philippines, December 21, 2020. (Photo by Lisa Marie David/Reuters)

A British Museum representative poses for photographs next to Andy Warhol's “Mao”, left, and Jim Dine's “Drag: Johnson and Mao” which feature in “The American Dream: pop to the present” exhibition during a media photocall at the British Museum in London, Monday, March 6, 2017. The exhibition, which opens to the public from March 9 and runs until June 18, charts modern and contemporary print making. (Photo by Matt Dunham/AP Photo)

A view through mist shows the Kirk of Saint Mary Magdalene in Primorsk, Leningrad Region, Russia on March 24, 2019. (Photo by Anton Vaganov/Reuters)

Artists called “Le couple en chocolat” take part in the festival “Statues en Marche” in Marche-en-Famenne, Belgium, July 22, 2018. Living statues are a common sight in many city centres, but it is rare to see such a diverse range of this peculiar form of street art for which performers must keep still for painfully long periods of time to create the desired illusion. (Photo by Yves Herman/Reuters)

Models present creations during the 8ON8 PRESENTED BY GQ China catwalk show at London Fashion Week Mens Spring/Summer 2020 in London, Britain, January 5, 2020. (Photo by Henry Nicholls/Reuters)

In a simpler time all a child or an adult needed to enjoy the outdoors was a ball and a stick. Or maybe an old tire tied to a high branch to fashion a swing. And the only instruction given to children was to “be home before dark”. Now there are iPads and computers and television screens and shrinking safe public spaces. But despite the distractions and limitations of space, these images show the charm of kicking a ball or skipping rope endures. Sometimes with modifications as a nod to changing times. Here: in this Saturday, June 20, 2015 photo, a boy runs while playing with a motorcycle wheel in Samugari, Ayacucho, Peru. (Photo by Rodrigo Abd/AP Photo)

Youths parade wearing World War Two uniforms during the Independence Day celebrations in Gdansk November 11, 2014. (Photo by Lukasz Glowala/Reuters/Agencja Gazeta)

Photographer Vincent Jansen travels throughout Europe, visiting beautiful abandoned places. He explores churches, factories, sanatoriums, mortuaries, villas and theaters, all quietly waiting for renovation or demolition. His photos show a unique perspective on what is happening behind the “no trespassing” signs: where nature is slowly gaining ground and the desolation, loneliness and decay leave their stunning traces. Photo: This piano was located in one of many rooms of a huge chateau in Poland. (Photo by Vincent Jansen)