As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)

A crab-eating fox (Cerdocyon thous), also known as the forest fox, wood fox, or maikong, is seen in the wild in the municipality of Guasca, some 50 km from Bogota, on May 16, 2020. (Photo by Diana Sánchez/AFP Photo)

Light is the sole reason why life exists. It provides us with warmth; it allows us to see; it nourishes all the living things on this planet. Many painters, especially the masters of Old Renaissance Period, have recognized the importance of light and its intimate connection with nature and life itself. In their paintings they gave tribute to light, giving the impression that their paintings had a light source hidden within them. Al Hogue, the artist who created the paintings that you see before you, has studied their techniques for many years. As time went by, light permeated not only his paintings by also his life, becoming his sole philosophy.

For more than 2,000 years, women from the Baiga tribe in the highland district of Dindori, in central India’s Madhya Pradesh state, have been tattooed. Sumintra, 25, from Bona village, has the markings across her forehead, legs and arms. The women who work as tattoo artists are knowledgable about the different types of designs and pigments preferred by various tribes, and their meanings are passed to them by their mothers. The tattooing ‘season’ begins with the approach of winter. (Photo by Ronny Sen/WaterAid/The Guardian)

Bouwe Brouwer: Postcards from Fryslân (series finalist). “People from Fryslân are looked upon by the rest of the Netherlands as stubborn people. Going back as far as the Spanish occupation, they have a history of resisting authority. Postcards from Fryslân is still an ongoing project – hopefully a lifelong one. When it started, it represented only a collection of places that seemed interesting. Currently, the hope is to cover most of the province, as you never know in advance where the best narratives are. But still, it is all candid, unposed and in the public realm”. (Photo by Bouwe Brouwer/Street Photographers Awards 2021)

A cemetery worker dig new graves at the Xico cemetery on the outskirts of Mexico City, as the coronavirus disease (COVID-19) outbreak continues in Mexico, June 10, 2020. (Photo by Edgard Garrido/Reuters)

Mazouza Bouglada, 86, a berber woman from the Chaouia region, who has facial tattoos, poses for a photograph in Taghit in the Aures Mountain, Algeria October 8, 2015. Bouglada was tattooed aged 7 by a nomadic man from the Sahara region. She was advised by her mother to get tattooed. The more she got tattooed the more she showed off. Even if she still remembers the pain, she felt beautiful once it was done, Bouglada said. She was very proud of her stars on her cheeks. Her eldest sister had been tattooed before her and she wanted to imitate her. Bouglada said she has now given away all her silver jewellery to atone for the sin that believers told her she had committed by being tattooed. (Photo by Zohra Bensemra/Reuters)

Barbara Peacock is one of five recipients of the Getty Images annual Grants for Editorial Photography programme, which gives photojournalists an award of $10,000 as well as the agency’s support in pursuing projects of their choosing. American Bedroom is an ongoing series of portraits in which she explores the complexities and idiosyncrasies of contemporary American life. Here: Jessica, Milford, New Hampshire: “Sometimes life throws you in all sorts of directions. The most important part about life is to remember you are exactly where you need to be”. (Photo by Barbara Peacock/Recipient of the Getty Images Grant for Editorial Photography 2017)