The annual calendar features stunning shots of lighting, cloud formations and the aurora australis. Hundreds of photographers from every Australian state and territory submitted images to the Bureau of Meteorology for selection in the year’s calendar, with only the best chosen to represent the full spectrum of Australian weather. Here: April. A path through the clouds between Townsville and Richmond, Queensland. (Photo by Captain Victoria Harrison/Australian Bureau of Meteorology)

“Misty Rainbow”. A rainbow appears over tea fields in Tangerang Selatan, Indonesia. (Photo by Dani Agus Purnomo/Royal Meteorological Society’s Weather Photographer of the Year Awards)

People watch the light installation “Onion Skin” by artist Oliver Ratsi performed during the Vilnius 700th anniversary celebration, in Vilnius, Lithuania, 25 January 2023. (Photo by Valda And Kalniņa/EPA/EFE)

After a cold night the small North Devon villages of Appledore and Instow wake up to an amazing scene as the sun rises over the River Torridge estuary, Devon, UK on October 19, 2018. (Photo by Terry Mathews/Alamy Live News)

The moon rising above the Forth Rail Bridge in The Firth of Forth from North Queensferry, England on July 16, 2019. (Photo by South West News Service)

Jubilee Class steam locomotive 45596 Bahamas crosses the Forth Bridge on its way from Edinburgh Waverley to Aberdeen on a day trip operated by The Railway Touring Company on Wednesday, April 19, 2023. (Photo by Jane Barlow/PA Images via Getty Images)

“Early morning in Mandawa, rural Rajasthan: it was the morning of Diwali and the streets were swept by smiling women in brightly coloured sarees as I took an early morning cup of chai. Celebrations started later, when darkness fell”. (Photo by Hamish Scott-Brown/Guardian Witness)

Woolland Woods, Dorset. Landscape photographer of the year 2020. “Taken in spring of 2018 in a wooded area close to Milborne St Andrew in Dorset, this was the third visit to the area in a matter of days. On the previous days, both devoid of morning mists, the light had been harsh and unappealing but the third day delivered stunning conditions with mist swirling through the trees. The low shooting position allowed more emphasis to be placed on the wild garlic and pathway”. (Photo by Chris Frost/UK Landscape Photographer of the Year 2020)