A visitor stands in front of a portrait taken by artist Bruce Gilden at the “Masters of Photography” exhibition at the Photokina trade fair in Cologne on September 20, 2016. The fair for the photographic and imaging sector, that is running from September 20 to 25, 2016, presents products from image capture, image processing and storage to image output. Photokina also includes a program of events with congresses, workshops, symposiums and photography exhibitions. (Photo by Patrik Stollarz/AFP Photo)

Dressed in a torn sleeveless t-shirt, sweatpants, and an ominous looking gas mask, the talented mind of Jessica Dunegan swirls with creative ideas for turn flat pictures into surreal pieces of art with depth, texture, and shine. Jessica’s selection of media is far different than most creators of surreal portraits.

These stunning color portraits, produced by the U.S. Office of War Information during World War II depict the role of women in the US war effort. All of the images were shot on 4x5 color transparency film by Howard R. Hollem and Alfred T. Palmer during 1942 and 1943 and were turned over to the Library of Congress Prints and Photographs Division in 1944. They are seen here with their original captions.

I would like to tell you why many artists, who like me, have painted portraits and landscapes in oils on canvas, worked with acrylics, watercolors, and pen and ink drawings, have turned to the art of gourd carving.

These poignant portraits look to shine awareness on the plight of some of the world’s most endangered ecosystems and species of wildlife. The images combine animals, art and celebrity, with Asia's top models posing with the likes of rhinos, giraffes, leopards and marine life. Here: Mikki Yao with an Asian Elephant. (Photo by Sean Lee-Davies/Caters News)

Suren Manvelyan is a professional Armenian photographer who specializes in animal eye, human eye, macro, landscape, portrait and night spirit photos.

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)