A woman rides a donkey during a donkey race in Roum village, Jizeen countryside, southern Lebanon, August 9, 2015. (Photo by Ali Hashisho/Reuters)

In this Sunday, August 5, 2018 photo, a dancer winces in pain as she is whipped by a fellow dancer in an adaptation of the Inca warrior dance known as “Kachampa”, during celebrations honoring Our Lady of Copacabana, in Cuzco, Peru. (Photo by Martin Mejia/AP Photo)

A Deer holding a leaf looks on as they roam Bridwell Park Estate on December 15, 2022 in Cullompton, England. The Devon estate is home to Lord Ivar Mountbatten, whose great uncle was Louis Mountbatten, 1st Earl Mountbatten of Burma. (Photo by Harry Trump/Getty Images)

A plane belonging to U.S. missionary group Agape Flights burns after it was set on fire during protests demanding that the government of Prime Minister Ariel Henry do more to address gang violence including constant kidnappings, in Les Cayes, Haiti on March 29, 2022. (Photo by Duples Plymouth/Reuters)

Sculptures entitled “The Rising Tide” by British sculptor Jason deCaires Taylor are seen beside the River Thames in front of the Houses of Parliament and the London Eye ferris wheel in London, September 3, 2015. The representations of four horses and riders are fully visible at low tide but become immersed underwater twice a day as the Thames rises to reach full tide. The installation will be on display throughout September as part of the annual Totally Thames festival. (Photo by Toby Melville/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

These images have been created using a colour scanning electron microscope (SEM) by the award-winning Eye of Science, comprised of snapper Oliver Meckes and biologist Nicole Ottawa. For a decade the pair, based in Reutlingen in the south of Germany, worked with an old SEM they saved from the scrapheap, but for the last five years they have used a £250,000 FEI Quanta Series Field Emission SEM. Oliver said: “Flowers are beautiful in 'normal' view, but when you look closer, some parts get very bizarre and unexpected structures appear – flowers within flowers, worlds within worlds”. Photo: The floret of a Chamomile flower up close and personal. (Photo by Oliver Meckes/Barcroft Media)