Midnight at the Palace, at Big Yin at Gilded Balloon Patter House during Edinburgh fringe 2025 in the first decade of August 2025. (Photo by Damian Robertson/The Guardian)
In this Sunday, August 5, 2018 photo, a dancer winces in pain as she is whipped by a fellow dancer in an adaptation of the Inca warrior dance known as “Kachampa”, during celebrations honoring Our Lady of Copacabana, in Cuzco, Peru. (Photo by Martin Mejia/AP Photo)
A plane belonging to U.S. missionary group Agape Flights burns after it was set on fire during protests demanding that the government of Prime Minister Ariel Henry do more to address gang violence including constant kidnappings, in Les Cayes, Haiti on March 29, 2022. (Photo by Duples Plymouth/Reuters)
A Deer holding a leaf looks on as they roam Bridwell Park Estate on December 15, 2022 in Cullompton, England. The Devon estate is home to Lord Ivar Mountbatten, whose great uncle was Louis Mountbatten, 1st Earl Mountbatten of Burma. (Photo by Harry Trump/Getty Images)
Hindu devotees (not pictured) touch a child with their feet as part of a ritual to bless him during a religious procession held to mark the Gajan festival in Kolkata, India, April 13, 2018. (Photo by Rupak De Chowdhuri/Reuters)
This image of a young bareback rider was taken in the village of Palenque de San Basilio, in Colombia’s Bolívar department. Founded by freed slaves in the 17th century, it became the first free town in the Americas, following a decree by the Spanish crown. Most of today’s inhabitants are direct descendants of those slaves and have preserved many of their customs, including their own language, Palenquero. (Photo by Sebastián Suki Beláustegui/The Guardian)
“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)