“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

Muqtada Haider turns the switches to transfer electricity to private homes in Baghdad, Iraq, Friday, September 10, 2021. In Iraq, electricity is a potent symbol of endemic corruption, rooted in the country’s sectarian power-sharing system. This contributes to chronic electrical outages of up to 14 hours a day in a major oil-producing nation with plentiful energy resources. (Photo by Hadi Mizban/AP Photo)

Masked women shout slogans during a demonstration marking the Latin American Day for Decriminalization of Therapeutic Abortion in Managua, Nicaragua, where abortions are illegal, on September 28, 2012. (Photo by Esteban Felix/Associated Press)

Heralds ride on horse-back through the streets of Moscow proclaiming the forthcoming coronation of Tsar Nicholas II, 1896. P.S. All pictures are presented in high resolution.

A groom leads his horse in the equine pool after working out on the track, during early morning workouts for the upcoming Derby race in Mumbai January 29, 2015. (Photo by Danish Siddiqui/Reuters)

A masquerader from the Paramin Blue Devils parades before judges during the traditional mas competition held by the National Carnival Commission at Victoria Square, in the capital Port-of-Spain, February 12, 2015. (Photo by Andrea De Silva/Reuters)