Goats wait to get unloaded from a vehicle at a livestock market during Dashain, the biggest religious festival for Hindus in Nepal, in Kathmandu, Nepal October 4, 2016. (Photo by Navesh Chitrakar/Reuters)

A Saudi trader wears a mask as he monitors stock information at the Saudi stock market in Riyadh, Saudi Arabia on August 25, 2020. (Photo by Ahmed Yosri/Reuters)

A worker puts up an advertising billboard for a recruiting company, featuring what resembles US President Donald Trump, in Zagreb, Croatia, Saturday, November 7, 2020. (Photo by Darko Bandic/AP Photo)

A Ukrainian service member smokes near a frontline, amid Russia's attack on Ukraine, in Donetsk region, Ukraine on February 8, 2023. (Photo by Yevhenii Zavhorodnii/Reuters)

An animal sprints across a road as the Sugar Fire, part of the Beckwourth Complex Fire, burns in Plumas National Forest, Calif., on Thursday, July 8, 2021. (Photo by Noah Berger/AP Photo)

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

Is it the surface of the Mars or Venus or an undiscovered planet? Not at all. These pictures aren’t what you think they are. Christopher Jonassen, a Norwegian photographer shot these beautiful and otherworldly series called ‘Devour of frying pan bottoms’, which are visually similar to craters and scars on a planet’s surface. In his series Jonassen refers to a quote of Jean-Paul Satre who said: ‘To eat is to appropriate destruction’ and the meaning of the word ‘devour’, which stands for eating up greedily, destroying, consuming, and wasting.

Artist Victor Nunes combines every-day objects with simple illustrations to turn them into pictures of faces, animals and other playful scenes. His images invite us to look at the world differently and find creative images in our surroundings. Nunes’ art is a great example of pareidolia, which is our propensity to give meaning to random objects (like in this post about seeing faces in random objects). It’s the reason why we associate a smiley face with a human face and why some of Nunes’ pieces of popcorn or bread resemble faces to us.