People run for cover following a series of explosions in the Embakasi area of Nairobi on February 2, 2024. At least 30 people have been transferred to different hospitals, according to the Kenya Red Cross, after explosions rocked an industrial and residential area of the Kenyan capital. (Photo by Luis Tato/AFP Photo)

A ballet dancer brushes on blush as she prepares for a street ballet performance in Mexico City, Saturday, July 28, 2018. In this sprawling megalopolis notorious for its clogged streets, a theater company sent out tutu-clad dancers out to delight motorists at snarled intersections with snippets from ballet classics like “The Nutcracker” and “Swan Lake” all in the 58 seconds it takes for the light to go from red to green. (Photo by Emilio Espejel/AP Photo)

The Maijishan Grottoes are a series of 194 caves cut in the side of the hill of Majishan in Tianshui, Gansu Province, northwest China. This example of rock cut architecture contains over 7,200 Buddhist sculptures and over 1,000 square meters of murals. Construction began in the Later Qin era (384-417 CE).

Van Coke Kartel – Dis 'n Land (Official Music Video). Van Coke Kartel is an Afrikaans alternative rock band from Bellville, near Cape Town, South Africa.

Nine-year-old Barry Miller appears none too impressed with the movements of an African Rock Python which is exploring his scalp. (Photo by Keystone/Getty Images). 27th August 1961

In order to capture the attention of the public some artists hone their skills, trying to create the ultimate masterpiece that will bring them fame and glory. Others, however, resort to simpler techniques. For example, a French photographer Sacha Goldberger simply combined characters out of Marvel Comics and Star Wars with the fashion of the Elizabethan era and the style of classical Flemish paintings. The results are nothing more than a joke, especially since the main accessory that was placed on each of the characters is the Elizabethan ruff, while everything else remained practically the same. (Photo by Sacha Goldberger)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.