In this April 13, 2015 file photo, a Thai woman splashes water on people from the back of a truck during the Songkran water festival to celebrate Thai New Year in Bangkok, Thailand.Thailand's military government is putting a dampener on the annual nationwide water fight. Despite Thailand's worst drought in 20 years, the junta says it has no intention of limiting the virtually around-the-clock water throwing that defines the three-day Songkran festival. Instead, it has decided to impose morality measures. (Photo by Sakchai Lalit/AP Photo)

Protesters on a freeway onramp amid a chaotic traffic situation with the shutdown of the freeway in downtown Los Angeles, California after midnight early on November 10, 2016 as protesters angry over Donald J. Trump's election as the next US president marched in downtown Los Angeles through the evening and shut down portions of the Hollywood (101) Freeway. Thousands of protesters rallied across the United States expressing shock and anger over Donald Trump's election, vowing to oppose divisive views they say helped the Republican billionaire win the presidency. (Photo by Frederic J. Brown/AFP Photo)

Associated Press photographer Wong Maye-E tries to get her North Korean subjects to open up as much as is possible in an authoritarian country with no tolerance for dissent and great distrust of foreigners. She has taken dozens of portraits of North Koreans over the past three years, often after breaking the ice by taking photos with an instant camera and sharing them. Her question for everyone she photographs: What is your motto? Their answers reflect both their varied lives and the government that looms incessantly over all of them. (Photo by Wong Maye-E/AP Photo)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

Villager search for a place for the roasted pigs in Dalem Temple at Timbrah Village on February 27, 2014 in Karangasem, Bali, Indonesia. Usaba Dalem is an annual ritual held by the people of Timbrah Village, during this ritual all the villagers will cook roasted pigs and carry them to Dalem Temple as an offering to God and an expression of gratitude for a successful harvest. (Photo by Putu Sayoga/Getty Images)