Elena Chernyshova's vision of Norilsk, Russia, the northernmost city in the world, is a series of surprises by which she extracts otherworldly beauty from ugly realities. Here: 2013. A woman is visible through a narrow passageway between two buildings. Norilsk's urban spaces were designed to shorten distances around large developments and give residents maximum protection from arctic winds. (Photo by Elena Chernyshova)

Nadeea Volianova the Russian Pop Star's bizarre, naked New Years “Art Installation” featuring an American flag, the named Putin and Trump in huge letters and the singer wearing a space helmet and not much else, Art Threat Gallery, Las Vegas, NV on December 29, 2016. (Photo by S_bukley/Splash News and Pictures)

A miniature model of Chichen Itza in Mexico, part of Gulliver's Gate, a miniature world being recreated in a 49,000-square-foot exhibit space in Times Square, is seen during a preview April 10, 2017 in New York City. (Photo by Timothy A. Clary/AFP Photo)

A robot is seen on Mount Etna, Italy on July 4, 2017. Mount Etna, in Sicily, is a test bed for the approximately three-foot high, four-wheeled machine ahead of a future mission to the moon. It is being conducted by the German Aerospace Centre, the agency which runs Germany's space programme. (Photo by Antonio Parrinello/Reuters)

Art photography gallery Lumas has opened its doors to “Masterpieces of Fashion Photography” exhibition at its London flagship space, showcasing previously unreleased images by legends such as Horst P. Horst, Edward Steichen, Bert Stern and Arthur Elgort. Here: Darryl Hannah on elephant, 1992. (Photo by Michel Comte/Vogue Archive Collection)

U.S. Air Force Major Paul “Loco” Lopez performs in an F-22 Raptor during the AirPower Over Hampton Roads JBLE Air and Space Expo at Joint Base Langley-Eustis, Virginia, U.S. May 18, 2018. (Photo by U.S. Air Force/Staff Sgt. Areca T. Bell/Handout via Reuters)

Here Goes River captures Japanese photographer Aya Fujioka’s home town of Hiroshima in 2017. The award-winning series documents the quiet, everyday spaces of the city – mundane, almost incidental scenes that are suffused with the invisible weight of the past. (Photo by Aya Fujioka)

Paul Bond's art lives in the spaces between dreaming and reality. Drawing from the Latin American genre of Magic Realism where symbolic, surreal and fantastic elements blend with realistic atmospheres, they remove the veil on a world where everything is possible.