Women stage a topless protest in Buenos Aires, Argentina on February 7, 2017. Activists take to streets of downtown after three women had been topless sunbathing on Necochea, near Buenos Aires, when they were approached by officers that told to cover their breasts. The sunbathers and officers argue, with the girls insisting going topless is not illegal, but the police insist they are offending the local culture. This protest is in support of the three women of Necochea. (Photo by Claudio Santisteban/ZUMA Wire/Rex Features/Shutterstock)

Jeepneys are seen as an enforcer manages traffic at a busy street in Manila on May 30, 2017. Jeepneys, once hailed as the “King of the Road” and a cultural symbol in the Phillipines to rival New York's yellow taxis, may soon disappear from Manila's gridlocked streets, as authorities move to phase out the Philippines' iconic World War II-era minibuses, citing pollution and safety concerns. (Photo by Noel Celis/AFP Photo)

A little girl stands next to a painted buffalo during the “Buffalo Painting” contest that is part of the Tich Dien festival in Ha Nam province, Vietnam, 10 February 2019. Artists from all over the country have gathered for the festival which attracts thousand of residents and visitors. Tich Dien festival features the importance of agriculture and the role of farmers in the vietnamese society and contributes to preserving the local cultural values. (Photo by Luong Thai Linh/EPA/EFE)

Khadjou Sambe, 25, surfs off the coast of Ngor, Dakar, Senegal, August 18, 2020. Growing up in the coastal capital of Dakar, Sambe never saw a Black woman surfing the Atlantic swells. As Senegal's first female professional surfer, Sambe is now inspiring the next generation to defy cultural norms and take to the waves as a surfing coach for local girls. “When I am in the water I feel something extraordinary, something special in my heart”, Sambe said. (Photo by Zohra Bensemra/Reuters)

A Parisian dances at the installation Electronica, a unique look at the great classics of 20th century electronic music, played under the vaults at the Collège des Bernardins part of Nuit Blanche, an annual evening festival of culture and art on October 03, 2020 in Paris, France. Scaled down this year because of the Covid-19 pandemic, the festival is split across the left and right banks of the city with many outdoor exhibitions to enable social distancing. (Photo by Kiran Ridley/Getty Images)

Aide Choque, wearing a mask amid the COVID-19 pandemic, jumps with her skateboard during a youth talent show in La Paz, Bolivia, Wednesday, September 30, 2020. Young women called “Skates Imillas”, using the Aymara word for girl Imilla, use traditional Indigenous clothing as a statement of pride of their Indigenous culture while playing riding their skateboards. (Photo by Juan Karita/AP Photo)

A colorful drawing is seen on a wall in Baghdad, Iraq on October 24, 2021. A group of volunteer painters tries to give hope and joy to the Iraqi residents by painting colorful murals on the walls of the houses and streets of the city, tired of violance. Seve-member group named “Butterfly Effect” is busy in drawing paintings to depict life in Baghdad and its cultural heritage on the buildings (Photo by Murtadha Al-Sudani/Anadolu Agency via Getty Images)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.