An Afghan girl rides a horse at the beach in Karachi, Pakistan, 07 September 2020. (Photo by Rehan Khan/EPA/EFE)

Steam rises from Lake Superior as the ship St. Clair comes to harbor during some of the coldest temps of the year, Sunday, December 31, 2017, at Canal Park in Duluth, Minn. The St. Clair is a self-unloader built in 1976 at Sturgeon Bay, Wis., and is 770 feet long and has 26 hatches that open into 5 cargo holds, providing a load capacity of 45,000 tons. (Photo by David Joles/Star Tribune via AP Photo)

Children play on an abandoned car near a protest, which is against the dissolution of Yemen's parliament and the Shi'ite Muslim Houthi militia's tightening grip on power, in the southwestern city of Taiz, February 13, 2015. (Photo by Mohamed al-Sayaghi/Reuters)

The UK reality TV mum Binky Felted out and about in London, England on November 7, 2017. Binky looked amazing in a black blazer, (Photo by Flynet Pictures)

General Maurice Gamelin, General Officer commanding the French Armies, is on a four day visit to England. He went to the staff college at Minley and is seen inspecting an anti-tank gun at Aldershot, on June 7, 1939. (Photo by AP Photo)

Tourists wear protective masks in Sanur, Bali, Indonesia, 15 March 2020. Indonesia has around 80 active cases of Covid-19. More than 70,000 people worldwide have recovered from coronavirus, nearly half of the total infections recorded since the outbreak began. (Photo by Made Nagi/EPA/EFE)

After a long time renovation project, the old town in Taiyuan city which was founded in 1357, finally lights up and opens to public in Taiyuan City, north China's Shanxi Province, 23 November 2020. (Photo by Rex Features/Shutterstock)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)