Women perform a pole dancing routine during the national day celebration of “Urban Pole” dance along a street in Monterrey, Mexico, on June 9, 2013. (Photo by Daniel Becerril/Reuters)

Participants wearing East Asian traditional costumes take photos during the 88th annual Hollywood Christmas Parade in Hollywood, Californi​a, USA, 01 December 2019. (Photo by Christian Monterrosa/EPA/EFE)

Guardian of the Mangroves – Overall Winner. Tanya Houppermans, Cuba. A curious American crocodile (Crocodylus acutus) swims right up to Tanya, at Gardens of the Queen (Jardines De La Reina), an archipelago off the coast of Cuba. It has been strictly protected since 1996, and is one of the most untouched marine ecosystems in the world. ‍ “The healthy population of American crocodiles is down to the pristine condition of the mangroves and I wanted to capture close ups of this gentle giant in its natural habitat. I hope this image can illustrate that protecting areas like this is so critical”. (Photo by Tanya Griffin Houppermans/Mangrove Photographer of the Year)

The lightest material ever made has been produced by a team of scientists in China, a Chinese university announced.

A man and his dog wade through a flooded road in Vila Velha, Espirito Santo state, Brazil, on December 27, 2013. At least 44 people have died and more than 60,000 have been left homeless following torrential rains over the past few weeks in southeast Brazil. (Photo by Yasuyoshi Chiba/AFP Photo)

Ford displays the drive train of the F150 Raptor SVT truck during the media preview of the Chicago Auto Show at McCormick Place on February 8, 2012 in Chicago, Illinois. The show, which is the largest and oldest auto show in the country, opens to the public on February 10. (Photo by Scott Olson/Getty Images)

Labourers who work nearby nap on a road as cars drive past in Chongqing Municipality, July 23, 2013. (Photo by Reuters/Stringer)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)