Seven month old Christine Joy shares her pram with two 5 week old Gunsure Golden Cherry's cocker spaniel pups from Gunsure Kennels in Ashford, Middlesex. 22nd May 1953. (Photo by Fred Morley/Fox Photos)

These brave models show no fear as they pose with bears, tigers and wolves in scenes straight from the pages of a fairy tale. The snaps show the models cuddling up to the deadly animals and even taking naps with the often unpredictable creatures. Here: “Marina with a bear”. Stepan, a 700-pound grizzly bear, was adopted by a Russian couple when he was just 3 months old. (Photo by Olga Barantseva/Caters News Agency)

Yolanthe Cabau attends amfAR MILANO 2011 at La Permanente on September 23, 2011 in Milan, Italy. (Photo by Vittorio Zunino Celotto/Getty Images for amfAR)

A full size working replica of the pink limousine used by Parker to chauffeur Lady Penelope in Gerry Anderson's television series “Thunderbirds”, unveiled at Woburn Abbey. United Kingdom, 27th May 1968. (Photo by Jim Gray/Keystone/Getty Images)

Yin and yang. Sеxy women grey background. Sensual women in erotic lingerie. (Photo by Alamy Stock Photo)

A member of the Qinghai Acrobatic Troupe checks her hair with a smartphone during a media preview for the world premiere of cabaret show “Shanghai Mimi” as part of Sydney Festival in Chinatown, central Sydney, Australia, 08 January 2019. Sydney Festival 2019 runs from 09 to 27 January and will feature theatre, dance, circus, music, visual arts and talks from international and local artists. (Photo by Steven Saphore/EPA/EFE)

Surrender by Jenkin Van Zyl, a surreal installation at Fact Liverpool on November 16, 2023 featuring film and sculptural works inside a large inflatable silver rat. (Photo by James Glossop/The Times)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)