A woman sits as she gets a tattoo on her leg during the annual Panama City Ink Fest in Panama City August 16, 2015. (Photo by Carlos Jasso/Reuters)

A woman picks marigold flowers used to make garlands and offer prayers, before selling them to the market for the Tihar festival, also called Diwali, in Kathmandu, Nepal on October 17, 2017. (Photo by Navesh Chitrakar/Reuters)

A dressed up Oakland Raiders fan poses for photos as she arrives at Azteca stadium in Mexico City, Monday, November 21, 2016. The Oakland Raiders face the Houston Texans at a sold out Azteca stadium. (Photo by Dario Lopez-Mills/AP Photo)

Members of the Indian Border Security Force (BSF) demonstrate their skills on motor-bikes during the BSF Golden Jubilee Day celebration in New Delhi on December 1, 2015. (Photo by Money Sharma/AFP Photo)

Dancers pose after performing “El Macho Raton”, “El Toro Huaco” and “El Gueguense” traditional dances during San Sebastian festivity in Diriamba, province of Carazo, some 50 km south of Managua on January 19, 2016. Devotees of Saint Sebastian dance in traditional costumes between the cities of Diriamba and Dolores, which are some three kilometers away. (Photo by Inti Ocon/AFP Photo)

Norma Galicia aka “Pirulina” takes part in a demonstration during the commemoration of the International Day for the Elimination of Violence Against Women, in Guatemala City on November 25, 2013. So far this year, 696 women have died due to violent events in Guatemala. (Photo by Johan Ordonez/AFP Photo)

Ducati Lenovo's Italian rider Francesco Bagnaia rides during the free practice 1 session of the MotoGP Thailand Grand Prix at the Buriram International Circuit in Buriram on February 28, 2025. (Photo by Mohd Rasfan/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)