Revellers brave the chill and jump into the water at Carnlough, Co. Antrim, Northern Ireland on January 1, 2024. (Photo by Arthur Allison/Pacemaker)

Revelers throw colored corn starch into the air as they celebrate the 2015 Holi (Festival of Colors) at the Krishna Temple in Spanish Fork, Utah on Saturday, March 28, 2015. (Photo by Rick Bowmer/AP Photo)

Activists attend a parade to demand rights of gender equality to LGBT community members in Santiago, Chile, November 25, 2017. (Photo by Ivan Alvarado/Reuters)

A car “crashed” into the ground at Hackescher Markt in Berlin, Germany on November 15, 2016, ahead of the launch of Jeremy Clarkson, Richard Hammond and James May's new show, “The Grand Tour”, on Amazon Prime Video, on Friday. (Photo by Clemens Bilan/Getty Images for Amazon Prime Video)

Actor Kurt Tocci leaps for photographers at the premiere of the AMC series “The Walking Dead: The Ones Who Live”, Wednesday, February 7, 2024, in Los Angeles. (Photo by Chris Pizzello/AP Photo)

Staff members for U.S. Sen. Jeanne Shaheen (D-NH) push a stuffed moose into their office on Capitol Hill on June 11, 2024 in Washington, DC. A stuffed moose named “Marty the Moose” and a stuffed bear named “Kodak the Bear” will be on display in Shaheen's office as part of the thirteenth annual Experience New Hampshire event. (Photo by Andrew Harnik/Getty Images)

A demonstrator uses a slingshot during clashes with police at a protest against what they call the government's failure in handling the coronavirus disease (COVID-19) outbreak, in Bangkok, Thailand, August 7, 2021. (Photo by Soe Zeya Tun/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)