Touching and dramatic portraits and landscape shots have won prizes at Australia's prestigious photography prize. Photo: Winner of the NSW (New South Wales) prize: Peter Solness said: “I wanted to re-imagine the lost waterways, so I got my light-painting tools to work. In this image, water is being released from the top of the historic Centennial Park No. 2 Reservoir, which was built in 1925 and holds 90 megalitres of water. After 89 years of incarceration these waters now run free!”. (Photo by Peter Solness/Head On)

Children stand in a boat at the banks of the polluted Yamuna River during a dust haze as they wait to give a ride to worshippers in New Delhi during World Environment Day June 5, 2010. (Photo by Reinhard Krause/Reuters)

The remarkable scene was captured by amateur wildlife photographer Ian Salisbury, 62, at the South Luangwa National park in Zambia. The crocodile grabs hold of the elephant's trunk, but it soon becomes clear that he has bitten off a lot more than he can chew by grabbing the huge beast. Mr Salisbury said the elephant “fled rapidly into the bush” after the attack. (Photo by Ian Salisbury/Caters News)

A woman struggles with an umbrella in the wind and rain while walking in Derby city centre, on December 23, 2013. (Photo by Rui Vieira/PA Wire)

A student is assisted by teachers after she fell ill while marching in a parade celebrating Saint Peter's day in Lima, Peru, Monday, June 29, 2015. During the feast day of the Catholic saint, who is the patron saint of fishermen, coastal communities pay homage to St. Peter, whose statue is paraded to the sea and petitions are made to keep their vessels and all who work on them safe. (Photo by Rodrigo Abd/AP Photo)

Kenya Wildlife Service (KWS) rangers load a tranquilized elephant onto a truck during a translocation exercise to Ithumba Camp in Tsavo East National Park, in Solio Ranch in Nyeri County, Kenya, February 21, 2018. Wildlife officials in Kenya kicked off a relocation operation for 30 elephants, fitting monitoring collars on the tranquilized animals before using cranes to swing them, inverted with bound feet and scything tusks, onto flatbed trucks. (Photo by Thomas Mukoya/Reuters)

Using digital editing, designer Anton Repponen places Manhattan buildings in desolate landscapes, “inviting viewers to see them as if for the first time”. Here: 8 Spruce Street/New York By Gehry. Photo by Anton Repponen/The Guardian)