An Iraqi woman attends a festival commemorating the International Day of Peace in Baghdad, September 21, 2015. (Photo by Thaier al-Sudani/Reuters)

(L-R) Jesse Montana , Kyle Chan, James Kennedy and Anthony F. attend Kyle Chan's “Star Wars vs. s*xy Aliens” Birthday Party at Sofitel Hotel on February 19, 2019 in Los Angeles, California. (Photo by Robin L Marshall/Getty Images)

A model checks her mobile phone backstage during Kazakhstan Fashion Week in Almaty, Kazakhstan, October 14, 2015. (Photo by Shamil Zhumatov/Reuters)

A couple enjoys viewing illuminated autumn leaves with projection mapping at Shinjuku Gyoen National Garden during a preview at the garden in Tokyo, Japan on November 22, 2023. The illumination will start on 22 November through 03 December 2023. (Photo by Kimimasa Mayama/EPA/EFE)

“A series of ads, developed as a creative idea for UN Women by Memac Ogilvy & Mather Dubai, uses genuine Google searches to reveal the widespread prevalence of sexism and discrimination against women. Based on searches dated 9 March, 2013 the ads expose negative sentiments ranging from stereotyping as well as outright denial of women’s rights”. – UN Women. (Photo by Ogilvy & Mather, Dubai, UAE/UN Women)

Female Iraqi Kurdish peshmerga fighters watch on as they release a bear into the wild in the Gara Mountains near the northern Iraqi city of Dohuk on March 4, 2018, after Iraqi Kurdish Animal rights activists from a local NGO rescued it from a private home. (Photo by Safin Hamed/AFP Photo)

Content Creator Tina Lee poses for pictures during a media preview of Summit at One Vanderbilt in New York, October 1, 2021. The Summit viewing deck is spread across the top four floors on One Vanderbilt in Manhattan, the fourth tallest building in the city. (Photo by Timothy A. Clary/AFP Photo)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)