Jessica Shears attends the UK Premiere of “Daddy's Home 2” at Vue West End on November 16, 2017 in London, England. (Photo by Karwai Tang/WireImage)

A woman walks at the Boulevard of the River the eve of the International Women's Day, in Cali, Colombia, 07 March 2019. (Photo by Ernesto Guzman Jr./EPA/EFE)

People try to get a roast chicken at the first Costco outlet in China, on the stores opening day in Shanghai on August 27, 2019. China has proved a brutal battleground for overseas food retailers in recent years, with many failing to understand consumer habits and tastes as well as local competitors building a stronger presence. (Photo by Hector Retamal/AFP Photo)

Bar girls use their mobile phones outside a bar along the Walking Street where bars and sеx scenes are a commonplace July 31, 2016 in Pattaya, Thailand. Thailand's first female minister of tourism would like the sеx trade that is a huge business in the country to be banned. Tourists flock to Thailand for many sights including beautiful beaches but also for sеx tourism. Cities like Bangkok and Pattaya are well known as hubs of the Southeast Asian sеx trade, despite the fact that prostitution has been illegal in Thailand since 1960. (Photo by Paula Bronstein/Getty Images)

Divers perform during a Christmas-themed underwater show at the Aqua Planet 63 aquarium in Seoul on December 8, 2022. (Photo by Anthony Wallace/AFP Photo)

A policeman comforts a man next to the body of Maria Duron, a pregnant fruit vendor caught in the crossfire after gunmen opened fire on a vehicle, killing a sixteen year-old student, her police bodyguard and three other people who were on the street in the city of Tegucigalpa, Honduras, on April 15, 2013. (Photo by Fernando Antonio/Associated Press)

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A South Sudanese People Liberation Army (SPLA) soldier patrols the streets in Malakal on January 21, 2014. (Photo by Harrison Ngethi/AFP Photo)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.