The view at night from the Shanghai Tower in Shanghai, China on August 7, 2015. The tower is technically smaller than the Burj Khalifa in Dubai but, while the observation deck of Dubai’s mega-structure is at 556m, the Shanghai Tower’s is at 561m, meaning the view is a little higher. (Photo by Paul Reiffer/REX Shutterstock)

Damaged buildings are pictured at night in Aleppo, Syria December 11, 2015. (Photo by Ammar Abdullah/Reuters)

Ryo Minemizu, one of Japan’s emerging stars in the field of marine life photography and the 2017 winner of the Nikkei National Geographic photography prize, captures the beauty and complexity of plankton that drift in our planet’s oceans and other bodies of water in meticulous detail. Here: Batesian mimicry by a Soleichthys fish larva. (Photo by Ryo Minemizu/The Guardian)

Photographer Stephen Wilkes spent a minimum of ten hours taking hundreds of shots to create each one of his Day to Night. Weaving and blending thirty to fifty parts, the photo-collagist extraordinaire created seamless, surrealist scenes of New York City life.

The stunning Milkyway in Midwestern U.S.A. captured by photographer Randy Halverson in 2013. The stunning skies in Midwestern U.S.A. captured by photographer Randy Halverson. The videographer captured rare footage of the Milky Way, the elusive Northern Lights and raging night storms in some of the most isolated regions of the U.S.A. The footage, which spans the skies of South Dakota, Wyoming and Utah, was taken between spring and autumn 2013. The 47-year-old spent 40 nights scattered across the eight-month period sat near his camera to capture the clear footage. Randy from Kennebec, South Dakota has been shooting timelapse for over 4 years. (Photo by Randy Halverson/Barcroft Media)

California-based glass artist Loren Stump specializes in a form of glasswork called murrine, where rods of glass are melted together and then sliced to reveal elaborate patterns and forms. While the murrina process appeared in the Mideast some 4,000 years ago, Stump has perfected his own technique over the past 35 years to the point where he can now layer entire portraits and paintings in glass before slicing them to see the final results. His most complex piece to date is a detailed interpretation of Leonardo da Vinci’s Virgin of the Rocks, which involved hundreds of glass components that were melted into a final piece.