Turkish National athlete Sahika Ercumen persists in her preparations for the dive along the shores of Karamagara Bay as she will dive to break the 105-meter world record in the variable weight category without fins on the 100th anniversary of the Turkish Republic in Hatay, Turkiye on October 15, 2023. The national athlete is determined to exceed the 105-meter world record currently held by Serbian diver Lena Balta in the variable weight category without fins. (Photo by Sebnem Coskun/Anadolu via Getty Images)

The villas of Marabe Al Dhafra in Abu Dhabi, United Arab Emirates are home to approximately 2,000 people. Located in one of the hottest regions of the world, the record high temperature here is 49.2C° (120.6F°). (Photo by Benjamin Grant/Penguin Random House)

Artist Victor Nunes combines every-day objects with simple illustrations to turn them into pictures of faces, animals and other playful scenes. His images invite us to look at the world differently and find creative images in our surroundings. Nunes’ art is a great example of pareidolia, which is our propensity to give meaning to random objects (like in this post about seeing faces in random objects). It’s the reason why we associate a smiley face with a human face and why some of Nunes’ pieces of popcorn or bread resemble faces to us.

German shoemaker Georg Wessels (R) presents shoes to Win Zaw Oo, who according to his medical team, at 2.3 metres (7.5 ft), is Myanmar's tallest man, in Yangon March 26, 2014. (Photo by Reuters/Minzayar)

A university in the Philippines in March 2024 has come up with a novel way to stop students cheating in exams – by getting them to wear hats in the shape of animated characters and random objects such as a crate of beer. (Photo by Angelo Ebora/beampix/Solent news)

Prada Marfa is a permanently installed sculpture by artists Elmgreen and Dragset, situated 1.4 miles (2.3 km) northwest of Valentine, Texas, just off U.S. Highway 90 (US 90), and about 26 miles (42 km) northwest of the city of Marfa. The installation was inaugurated on October 1, 2005. The artists called the work a "pop architectural land art project."

For our latest mission, we put a Carnegie Hall orchestra in the middle of New York City and placed an empty podium in front of the musicians with a sign that read, “Conduct Us.” Random New Yorkers who accepted the challenge were given the opportunity to conduct this world-class orchestra. The orchestra responded to the conductors, altering their tempo and performance accordingly. This project was a collaboration with Carnegie Hall and Ensemble ACJW.