Photographer Stephen Wilkes spent a minimum of ten hours taking hundreds of shots to create each one of his Day to Night. Weaving and blending thirty to fifty parts, the photo-collagist extraordinaire created seamless, surrealist scenes of New York City life.

Paul Bond's art lives in the spaces between dreaming and reality. Drawing from the Latin American genre of Magic Realism where symbolic, surreal and fantastic elements blend with realistic atmospheres, they remove the veil on a world where everything is possible.

“Mr Big Dipper”, Nicholas Roemmelt (Denmark). A stargazer observes the constellation of the Big Dipper perfectly aligned with the window of the entrance to a large glacier cave in Engadin, Switzerland. This is a panorama of two pictures, and each is a stack of another two pictures: one for the stars and another one for the foreground, but with no composing or time blending. (Photo by Nicholas Roemmelt/National Maritime Museum/The Guardian)

Wrestlers in action during a traditional Sindhi Malakhra wrestling event in Karachi, Pakistan, 31 October 2024. During a Malakhra match, both wrestlers tie twisted cloth around their opponents' waists. They then grab the opponent's waist cloth and attempt to throw him to the ground. (Photo by Shahzaib Akber/EPA/EFE)

A participant is hit by an orange during an annual carnival battle in the northern Italian town of Ivrea February 7, 2016. Dressed up as Middle Age kings' guards, a group of men ride in a horse-drawn carriage and pelt “foot soldiers” with oranges as thousands of people gather to re-enact a Middle Age battle when the townsfolk of Ivrea overthrew an evil king. In a strange twist, instead of swords and cross bows, these days the weapons of choice are oranges. (Photo by Stefano Rellandini/Reuters)

The Jumbo Stay blends into the background at Stockholm Arlanda Airport. If you spot it as your plane rolls along a taxiway, you might notice an aging widebody jet parked by its lonesome self in a secluded part of the airport.

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.