Participants take part in a New Year's Jump into the Sea in Portoroz , Slovenia, January 1, 2016. (Photo by Srdjan Zivulovic/Reuters)

A worker inspects unfinished firecrackers as they make pyrotechnics at a makeshift factory in Bocaue town, Bulacan province, north of Manila December 27, 2014. Firecracker makers in Bulacan province, the pyrotechnic capital of the Philippines, are in haste to meet the demands for the coming New Year revelry. (Photo by Romeo Ranoco/Reuters)

Firework display from the top of the Sky Tower to welcome the New Year on January 1, 2015 in Auckland, New Zealand. (Photo by Dave Rowland/Getty Images)

A view of a stampede is seen during a New Year's celebration on the Bund, a waterfront area in central Shanghai, December 31, 2014. The stampede killed at least 35 people and injured 43 during New Year's Eve celebrations in Shanghai, on the city's famed waterfront tourist strip known as the Bund, authorities said. (Photo by Reuters/Stringer)

A girl with Russian national flags painted on her cheeks takes part in celebrations marking the first anniversary of Russia's annexation of Crimea, in central Simferopol March 16, 2015. Russia marks one year anniversary of annexation of Ukraine's Crimea peninsula this week. (Photo by Maxim Shemetov/Reuters)

Local priests celebrate the “Aimara New Year”, an Andean Bolivian traditional festival that marks the winter solstice in El Alto, Bolivia, 21 June 2016. Aimara or Aymara means the Return of the Sun. (Photo by Martin Alipaz/EPA)

Ada Wood, 10, perches on one of Castlerigg’s 38 stones during the summer solstice at Castlerigg stone circle in Cumbria, Britain, on June 21, 2016. (Photo by Christopher Thomond/The Guardian)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)