Luke Timms of Australia poses during the pre judging of the IFBB Australian Pro Grand Prix XI at Plenary Hall on March 12, 2011 in Melbourne, Australia.

Russian oppostion activists take part in a rally and march to Bolotnaya Square on February 4, 2012 in Moscow, Russia. Demonstrators braved temperatures as low as -20 degrees celsius as they took to the streets exactly one month before the presidential elections in protest against Vladimir Putin's efforts to return to the Kremlin for an unprecedented third term as President. (Photo by: Ilya Varlamov; Source: LiveJournal)

Mr. Olympia Phil Heath poses during a media call ahead of the 2012 IFBB Australian Pro Grand Prix XIII on March 16, 2012 in Melbourne, Australia. (Photo by Robert Cianflone/Getty Images)

“The Reversible Destiny Lofts – Mitaka (In Memory of Helen Keller) is a nine-unit multiple dwelling. It was first completed example of procedural architecture put to residential use. These lofts reflexively articulate the residents’ operative tendencies and coordinating skills essential to and determinative of human thought and behavior; which means to say, the lofts manage, by virtue of how they are constructed, to reveal to their residents the ins and outs of what makes a person, in this case the resident. This is the same set of tendencies and skills to which Arakawa and Madeline Gins gave diagrammatic form in their decades-long research project The Mechanism of Meaning”. – Wikipedia

Photo: The exterior of the concept design home “Reversible Destiny Lofts MITAKA: In Memory of Helen Keller” is seen on October 27, 2005 in Tokyo, Japan. (Photo by Koichi Kamoshida/Getty Images)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

Zahra Lari runs in a scene shot for the Nike Middle East ad campaign filmed in Dubai, UAE, February 10, 2017. An online commercial released by Nike (NKE.N) this week that showed Arab women fencing, boxing and spinning on ice-skates has stirred controversy over its attempt to smash stereotypes about women leading home-bound lives in the conservative region. (Photo by Reuters/Nike)

Water vapour cascades down the Gold Buddha Mountain after a rainfall, drawing large crowds of visitors, on May 13, 2024 in Chongqing, China. (Photo by Qu Mingbin/VCG via Getty Images)