These images, scanned from old glass negatives which had surfaced in northern France, were believed to have been taken by a local amateur photographer in 1916. They showed British and a few Australian soldiers, in formal or informal poses, during or just before the most murderous battle in the history of the British Empire – Battle of the Somme. Who are these British and British Empire soldiers? The identity of the soldiers is, and may always remain, a mystery... (Property of Bernard Gardin/Dominique Zanardi/Joel Scribe/The Independent Magazine)

A teenage girl from the Santa Marta favela slum puts on a pair of high heels for a group debutante ball organized by the Pacifying Police Unit from her neighborhood in Rio de Janeiro, Brazil, Friday, August 29, 2014. The ball, which relied on volunteers who coiffed and made up the girls and a formal wear shop that loaned the dresses, helped build goodwill between pacified favelas' residents and the officers who patrol them. (Photo by Silvia Izquierdo/AP Photo via The Palm Beach Post)

Architectural photographer Victor Enrich has shared with ArchDaily a series of 88 images — one for every key in the classical piano — exploring the various formal possibilities of the NH Deutscher Kaiser Hotel in Munich, Germany. “I found it beautiful,” says Enrich, “to connect two distinct artistic disciplines such as photography and computer graphics with the piano.” See further illustrations and read a full description of his thought process following the break.

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.

A woman visits St Savior in Chora church, known as Kariye in Turkish, in Istanbul, Friday, August 21, 2020. Turkey on Friday formally converted former Byzantine church, St Savior in Chora, into a mosque, a month after it similarly turned Istanbul's landmark Hagia Sophia into a Muslim house of prayer, drawing international rebuke. (Photo by Emrah Gurel/AP Photo)

Hospitality staff members laugh as they stand on Tiananmen Square before the closing ceremony of China's 19th Party Congress at the Great Hall of the People in Beijing, Tuesday, October 24, 2017. The ruling Communist Party on Tuesday formally lifted Xi Jinping's status to China's most powerful ruler in decades, setting the stage for the authoritarian leader to tighten his grip over the country while pursuing an increasingly muscular foreign policy and military expansion. (Photo by Mark Schiefelbein/AP Photo)

American sculptor Michael Alfano has been sculpting for over fifteen years. A native of New York, he now lives and works in Hopkinton, Massachusetts. His major influences are Salvador Dali, Jo Davidson, and Jean-Antoine Houdon, as well as Buddhist, Taoist, Sufi and other eastern philosophy and literature. He first studied at the Art Students League of New York, with an emphasis on life-size sculpture from the model. His formal education continued at Boston University and was augmented by internships with several prominent sculptors.

Matteo Pugliese was born in Milan in 1969. In 1978 his family moved to Sardinia and lived there for the next 12 years. During this time he developed a strong love for drawing and sculpture and practiced without formal education. After finishing his secondary school studies in classics in Cagliari, he returned to Milan to attend university. In 1995 he was awarded his degree in modern literature at the University of Milan with a graduation thesis on art criticism.