A man walks with a Cyberdog, produced by Chinese tech company Xiaomi, on February 19, 2022 in Beijing, China.The quadruped robots, often owned by tech and robotic enthusiasts, do not have a specific purpose so far, but the open source nature of the robots could make them suitable for several applications in the future. (Photo by Andrea Verdelli/Getty Images)

A plane belonging to U.S. missionary group Agape Flights burns after it was set on fire during protests demanding that the government of Prime Minister Ariel Henry do more to address gang violence including constant kidnappings, in Les Cayes, Haiti on March 29, 2022. (Photo by Duples Plymouth/Reuters)

Member of the Imperio da Tijuca Samba School during the 2019 Carnival Series A parade in the Marques do Sapucaí Sambadrome in the city of Rio de Janeiro this Sunday, March 3, 2019. (Photo by William Volcov/Brazil Photo Press)

A woman carries a Persian cat during the “SuperCat Show 2017” on November 11, 2017 in Rome, Italy. Considered the Super Bowl for all things feline, the two-day exhibition features beauty contests, information sessions, shopping and interactive games. (Photo by Alberto Pizzoli/AFP Photo)

Nathan Sawaya is a New York-based artist who creates awe-inspiring works of art out of some of the most unlikely things. His recent global museum exhibitions feature large-scale sculptures using only toy building blocks. LEGO bricks to be exact. Photo: “Blue man sits in chair”. (Photo by Nathan Sawaya/The Art of the Brick)

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.