A gallery assistant poses with the 1972 work “Secretary” at a press viewing of the artist's exhibition “Allen Jones RA” at the Royal Academy of Arts in London November 11, 2014. (Photo by Neil Hall/Reuters)

Tattoo enthusiast Lauren Brock poses to display her body art work during the International London Tattoo Convention in east London, Britain September 26, 2015. (Photo by Neil Hall/Reuters)

Firefighters work to put out flames during a wildfire in Sokcho, South Korea, April 5, 2019. South Korea grappled with the massive blaze that roared through forests and cities along the eastern coast, declaring a national emergency and mobilizing all available resources to bring the inferno under control. (Photo by Yonhap via Reuters)

A firefighter works outside of a building where an explosion and a fire broke out in Shimbashi area of Tokyo on July 3, 2023. (Photo by Yuichi Yamazaki/AFP Photo)

A vendor works on a Christmas star lantern, locally known as parol, at a street market in Quezon City, Metro Manila, Philippines on November 29, 2023. (Photo by Eloisa Lopez/Reuters)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

A worker settles mud in a mold to make bricks at a brick factory in Tixtla, on the outskirts of Chilpancingo, in the Guerrero state, January 26, 2015. The worker earns a salary of 15 Mexican pesos, or one dollar, for every 100 bricks made on a working day of at least 5 hours. (Photo by Jorge Dan Lopez/Reuters)

A gallery staff member walks past Fleeting Monument (1985) by artist Cornelia Parker, one of the works on display at Yorkshire Sculpture Parks Longside Gallery as part of the “Making It: Sculpture in Britain 1977-1986” exhibition on March 27, 2015 in Barnsley, England. (Photo by Christopher Furlong/Getty Images)