The town hall with the Mangia tower is seen in Siena, central Italy, January 29, 2016. (Photo by Max Rossi/Reuters)

A Vietnamese cosplayer poses as police officer character from the game during the League of Legends (LOL) Mid-Season Invitational 2019 play-in group stage, in GG Stadium, Ho Chi Minh, Vietnam May 5, 2019. (Photo by Reuters/Kham)

A person wearing a face mask is reflected in an art work entitled “A=V” by Ben Cullen Williams, amid the coronavirus disease (COVID-19) outbreak, in Covent Garden, London, Britain on October 16, 2020. (Photo by John Sibley/Reuters)

People enjoy their time near the Arcadia stage at the Glastonbury Festival site in Somerset, Britain on June 24, 2023. (Photo by Jason Cairnduff/Reuters)

An Indian Hindu devotee pours milk on a snake as an offering during the annual Nag Panchami festival, dedicated to the worship of snakes outside the Nagvasuki temple, in Allahabad, on July 28, 2017. Officially the snake charmers' profession is banned in India, but many in the country offered prayers and milk blessings to cobras and other deadly serpents on July 28 in an annual tribute. The 800,000 charmers and their young apprentices come to the fore for the Nag Panchami festival which dates back several centuries. (Photo by Sanjay Kanojia/AFP Photo)

(L-R) Alex Pereira of Brazil punches Israel Adesanya of Nigeria in the UFC middleweight championship bout during the UFC 281 event at Madison Square Garden on November 12, 2022 in New York City. (Photo by Jeff Bottari/Zuffa LLC)

Czech Republic's Jakub Mensik celebrates after winning the men's singles quarter-final match against Russia's Andrey Rublev at the ATP Qatar Open tennis tournament in Doha on February 22, 2024. (Photo by Karim Jaafar/AFP Photo)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)