Greece-based illustrator, Charis Tsevis took his fascination with our wired world to develop his series of colorful and detailed wire illustrations. He uses all types of wires, including USB cords and phone cables, and creates form figures, faces and animals by tangling them together. Tsevis says, “All of them have to do with the relationship between the network and the human body and spirit”. Photo: “The Conquering Lion: Plug into the power of Reggae”. (Photo by Charis Tsevis)

Sophia answers questions at Hanson Robotics studio in Hong Kong on March 29, 2021. Sophia is a robot of many talents — she speaks, jokes, sings and even makes art. In March, she caused a stir in the art world when a digital work she created as part of a collaboration was sold at an auction for $688,888 in the form of a non-fungible token (NFT). (Photo by Vincent Yu/AP Photo)

An artist takes part in the festival “Statues en Marche” in Marche-en-Famenne, Belgium, July 20, 2019. Living statues are a common sight in many city centers, but it is rare to see such a diverse range of this peculiar form of street art for which performers must keep still for painfully long periods of time to create the desired illusion. (Photo by Yves Herman/Reuters)

Employee Victoria Livesey walks past Banksy's “Kate Moss 2005” on display at Bonhams on March 23, 2012 in London, England. The painting, estimated at GBP 30,000 – 50,000, USD 48,000 – 79,000 and 35,000 – 59,000 euros forms part of the Urban Art Sale, which takes place at Bonhams on March 29, 2012. (Photo by Peter Macdiarmid/Getty Images)

“Over three years I photographed fans outside different concerts. I was fascinated by the different tribes of people that attended them, and how people emulated celebrity to form their identity. As I photographed the project I began to see how the concerts became events for people to come together with surrogate “families”, a chance to relive their youth or try and be part of a scene that happened before they were born” – James Mollison.

Photo: Madonna fans. (Photo by James Mollison)