A building burns after an explosion on 2nd Avenue on March 26, 2015 in New York City. The seven alarm fire drew firefighters from across the city. A number of injuries have been reported. (Photo by Andrew Burton/Getty Images)

A passer-by takes a selfie with an extra newspaper reporting on President-elect Joe Biden's win in the U.S. presidential election, in Tokyo Sunday, November 8, 2020. The headline reads: “Mr. Biden Assured to win”. (Photo by Eugene Hoshiko/AP Photo)

A boy sells balloons in front of a closed market as the government reduces market business hours after new cases of COVID-19 were reported across the country in Peshawar, Pakistan, 03 August 2021. Countries around the world are taking increased measures to stem the widespread of the COVID-19 disease. (Photo by Arshad Arbab/EPA/EFE)

Women take part in the desert trek “Rose Trip Maroc”, on November 1, 2019 in the erg Chebbi near Merzouga. The Rose Trip Maroc is a female-oriented trek where teams of three must travel through the southern Moroccan Sahara desert with a compass, a map and a topographical reporter. (Photo by Jean-Philippe Ksiazek/AFP Photo)

People wear face masks to protect against the coronavirus as they walk across an intersection in Beijing, Friday, June 5, 2020. China on Friday reported five new confirmed coronavirus cases, all of them brought by Chinese citizens from outside the country. (Photo by Mark Schiefelbein/AP Photo)

“Radicondoli is a comune in the Province of Siena in the Italian region Tuscany, located about 60 km southwest of Florence and about 25 km southwest of Siena”. – Wikipedia. (Photo by Marco Sgarbi)

Award winning Italian Bodypainter Johannes Stötter, paints his models to blend in to their backgrounds. The artist and musician based in Italy has created some of the most unique and life-like pieces of art we've ever seen. And yes, while some works like the ready-to-eat human melon heads creep us out, it's fair to say Stötter has owned his craft. Photo: “Melon”. (Photo by Johannes Stötter)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.